François Ghebaly - Media Feed

Joeun Kim Aatchim, Miss Sanity & I, On/Off the Cliff (To find a way to throw them away) over Sappho Off the Cliff Rubbing, 2018 - 2022, JKA 22.010

Joeun Kim Aatchim

Miss Sanity & I, On/Off the Cliff (To find a way to throw them away) over Sappho Off the Cliff Rubbing, 2018 - 2022

Mineral pigment, colored pencil, casein, wax, and whitegold leaf on silk mounted on refined pine soot ink treated wood, pastel on mulberry paper mounted on canvas

19.75 x 26 inches
50 x 66 cm.

Joeun Kim Aatchim, A Study for the Fish Dinner (The Original Memory Game After al di la), 2019, JKA 19.003

Joeun Kim Aatchim

A Study for the Fish Dinner (The Original Memory Game After al di la), 2019

Mineral pigment, refined pine soot ink on silk mounted on aluminum frame, .925 sterling silver pendant and chain

9.5 x 11.5 inches
24 x 29 cm.

Joeun Kim Aatchim, Another New Song: My Inability to Finish Writing My Extraordinary Ability to Continue Writing, 2019 - 2022, JKA 22.014

Joeun Kim Aatchim

Another New Song: My Inability to Finish Writing My Extraordinary Ability to Continue Writing, 2019 - 2022

Mineral pigment on silk, glass, blackened silver solder, clear vellum

4.25 x 3.25 x 3 inches
11 x 8.5 x 7.5 cm.

Joeun Kim Aatchim, Conceiving Healed-Self at East Pigeon House in Yaddo. My Springest Spring in Saratoga Springs, 2023, JKA 23.018

Joeun Kim Aatchim

Conceiving Healed-Self at East Pigeon House in Yaddo. My Springest Spring in Saratoga Springs, 2023

Colored pencil on silk, stone pigment suspended in shellac on acrylic sheets, black walnut frame

23 x 19 inches
58.5 x 48 cm.

Joeun Kim Aatchim, My Opioid Night: Mere Sinker, 2023, JKA 23.020

Joeun Kim Aatchim

My Opioid Night: Mere Sinker, 2023

Colored pencil, pastel, genuine white gold leaf on silk, stone pigment suspended in shellac on acrylic sheets, black walnut frame

19 x 15 inches
48 x 38 cm.

Joeun Kim Aatchim, Homed (Unwilling & Never Not Awkward), 2021 - 2022, JKA 22.001

Joeun Kim Aatchim

Homed (Unwilling & Never Not Awkward), 2021 - 2022

Natural mineral pigment suspended in glue on silk, colored pencil on paper, brass, beach wood, waxed cotton, leather, blackened steel, book clothes, sterling silver

36 x 24 inches
91.5 x 61 cm.

Joeun Kim Aatchim, Total Discomfort-comfort: Midday Attack, 2020-2023, JKA 23.021

Joeun Kim Aatchim

Total Discomfort-comfort: Midday Attack, 2020-2023

Colored pencil, graphite on paper, artist made sterling silver charm with enamel paint, walnut frame

16.75 x 13.75 inches
42.5 x 35 cm.

Joeun Kim Aatchim, The Spirit —Numb, In Spite of Our Mutual Inspiration, 2023, JKA 23.005

Joeun Kim Aatchim

The Spirit —Numb, In Spite of Our Mutual Inspiration, 2023

Watercolor pencil and Conté on silk

17 x 17 inches
43 x 43 cm.
18.25 x 18.5 x 1.5 (framed)
46.5 x 47 x 4 cm (framed)

Joeun Kim Aatchim, My Opioid Night: Mere & Eternal Evaporation, 2023, JKA 23.022

Joeun Kim Aatchim

My Opioid Night: Mere & Eternal Evaporation, 2023

Colored pencil, pastel, genuine white gold leaf on silk, stone pigment suspended in shellac on acrylic sheets, black walnut frame

19 x 15 inches
48 x 38 cm.

Joeun Kim Aatchim, Minimally Invasive: A Surgeon and His Lady Crane, 2023, JKA 23.023

Joeun Kim Aatchim

Minimally Invasive: A Surgeon and His Lady Crane, 2023

Colored pencil, pastel on silk, waxed linen threads, stone pigment suspended in shellac on acrylic sheets, black walnut frame

23 x 19 inches
58.5 x 48 cm.

Joeun Kim Aatchim, Crude in Me, 2023, JKA 23.024

Joeun Kim Aatchim

Crude in Me, 2023

Refined pine soot ink, gouache and metallic pigment on canvas

17 x 20.75 inches
43 x 53 cm.

Joeun Kim Aatchim, My Opioid Night: Mere Solacer, 2023, JKA 23.025

Joeun Kim Aatchim

My Opioid Night: Mere Solacer, 2023

Stone pigment, shellac ink, pastel, genuine white gold leaf, colored pencil on silk, two-way acrylic mirror, black walnut frame

16.5 x 20.5 inches
42 x 52 cm.

Joeun Kim Aatchim, Sister’s New Clingies in Place of Me; After Okinawa Family Trip, 2022, JKA 22.003

Joeun Kim Aatchim

Sister’s New Clingies in Place of Me; After Okinawa Family Trip, 2022

Mineral pigment, refined pine soot ink on silk mounted on aluminum frame, .925 sterling silver pendant and chain

11.5 x 9.5 inches
29 x 24 cm.

Joeun Kim Aatchim, A Doula & A Damsel, or/and Vice Versa, 2023, JKA 23.008

Joeun Kim Aatchim

A Doula & A Damsel, or/and Vice Versa, 2023

Watercolor, colored pencil and conté, genuine white gold leaf, walnut ink earth pigments on silk mounted on canvas, blued tacks, sterling silver chain & pendant

16 x 20 inches
40.5 x 51 cm.

Joeun Kim Aatchim, Total Discomfort-comfort: Shower Attempt on Plant Dolly, 2020-2023, JKA 23.026

Joeun Kim Aatchim

Total Discomfort-comfort: Shower Attempt on Plant Dolly, 2020-2023

Watercolor on paper, two-way acrylic mirror, black walnut frame

17.5 x 12.5 inches
44.5 x 32 cm.

Joeun Kim Aatchim, My Funny Pillow & Uncanny Sorrow, 2023, JKA 23.027

Joeun Kim Aatchim

My Funny Pillow & Uncanny Sorrow, 2023

Colored pencil, pastel, conté, on paper, artist’s frame with waxed linen thread

22.25 x 28 inches
56.5 x 71 cm.

Joeun Kim Aatchim, Total Discomfort-comfort: Sister & Bedpan, 2020-2023, JKA 23.028

Joeun Kim Aatchim

Total Discomfort-comfort: Sister & Bedpan, 2020-2023

Colored pencil, graphite, shellac ink on paper, waxed linen threads, two-way acrylic mirror, black walnut frame

17.5 x 12.5 inches
44.5 x 32 cm.

Joeun Kim Aatchim, My Cyclical—Sundowner’s Chronicle (Still Life with Dayflowers from Fishers Island, Rocket air blaster, Wire clipper, and a Nutcracker), 2021-2023, JKA 23.029

Joeun Kim Aatchim

My Cyclical—Sundowner’s Chronicle (Still Life with Dayflowers from Fishers Island, Rocket air blaster, Wire clipper, and a Nutcracker), 2021-2023

Stone pigment suspended in shellac, shellac ink, genuine white gold leaf on silk mounted on canvas over casein color on canvas

26 x 20 inches
66 x 51 cm.

Joeun Kim Aatchim, My Prophecy, My Very First Clay, 2011, JKA 11.001

Joeun Kim Aatchim

My Prophecy, My Very First Clay, 2011

Glazed earthenware, walnut frame, colored acrylic mirror

10 x 10 x 5 inches
25.5 x 25.5 x 13 cm.

Joeun Kim Aatchim, Job's Tears (Old Habit Theater), 2022-2023, JKA 23.032

Joeun Kim Aatchim

Job's Tears (Old Habit Theater), 2022-2023

Earth pigment and colored pencil on silk mounted on soot ink treated wood, copper nails

22.25 x 32 inches
56.5 x 81 cm.

Joeun Kim Aatchim, Embracing the Fear of Embrace (Study for Mechanism of Hugs), 2023, JKA 23.033

Joeun Kim Aatchim

Embracing the Fear of Embrace (Study for Mechanism of Hugs), 2023

Charcoal, metallic shellac ink, genuine white gold leaf on refined pine soot ink dyed silk, mounted on soot ink treated wood, waxed cotton threads

32.25 x 26 inches
82 x 66 cm.

Joeun Kim Aatchim, Blessed to be Bruised; Self Portrait as Fragrance of a Quince, (Winter in Seorae Maeul, Seoul), 2023, JKA 23.034

Joeun Kim Aatchim

Blessed to be Bruised; Self Portrait as Fragrance of a Quince, (Winter in Seorae Maeul, Seoul), 2023

Stone pigment suspended shellac, genuine yellow and white gold, powdered copper, colored pencil, and pastel on raw silk

60 x 48 inches
152.5 x 122 cm.

Joeun Kim Aatchim, Mother & Her New Kitty Joy, Post-operation, 2023, JKA 23.001

Joeun Kim Aatchim

Mother & Her New Kitty Joy, Post-operation, 2023

Mineral pigment, refined pine soot ink, colored pencil on silk, glass eyes

14 x 16 inches
35.6 x 40.6 cm.
15 1/2 x 17 1/2 x 1 1/2 inches (framed)
39.4 x 44.5 x 3.8 cm. (framed)

Joeun Kim Aatchim, Bail Mother Melancholy (Sunday Garden Given Forgiven), 2021, JKA 21.001

Joeun Kim Aatchim

Bail Mother Melancholy (Sunday Garden Given Forgiven), 2021

Mineral pigment suspended in glue on silk, colored pencil, conté on paper, brass, wood, waxed cotton, leather, blackened steel, found wood cross painted with India ink, sterling silver

36 x 24 inches
91.5 x 61 cm.

Joeun Kim Aatchim, Kneeling without Pain, Gifts without Drafts (at Engelberg Kloster), 2023, JKA 23.038

Joeun Kim Aatchim

Kneeling without Pain, Gifts without Drafts (at Engelberg Kloster), 2023

Colored pencil on silk, waxed linen thread, stone pigment suspended in shellac on acrylic sheets, black walnut frame

17.5 x 12.5 inches
44.5 x 32 cm.

Joeun Kim Aatchim, Piggyback (Amused), 2019, JKA 19.001

Joeun Kim Aatchim

Piggyback (Amused), 2019

Mineral pigment and refined pine soot ink on silk

10 x 8.25 inches
25.5 x 21 cm.

Joeun Kim Aatchim, Anatomy of Affection, 2023, JKA 23.039

Joeun Kim Aatchim

Anatomy of Affection, 2023

Colored pencil, genuine white gold leaf on walnut ink dyed silk, blued nail, copper, canvas frame

27.5 x 24.25 inches
70 x 62 cm.

Joeun Kim Aatchim, My Intermittent Prayer in Adulthood was only an Embarrassing Plagiarism of My Childhood's. Then Again, I Rely on My Mother’s Secret Speaking in Tongues that No one Knows what it Meant Even Herself, 2022, JKA 22.002

Joeun Kim Aatchim

My Intermittent Prayer in Adulthood was only an Embarrassing Plagiarism of My Childhood's. Then Again, I Rely on My Mother’s Secret Speaking in Tongues that No one Knows what it Meant Even Herself, 2022

Mineral and earth pigment, colored pencil, casein, wax on silk mounted on refined pine soot ink treated wood

11 x 17 inches
28 x 43 cm.

Joeun Kim Aatchim, Hair-Feathered Ribbon, 2016, JKA 16.006

Joeun Kim Aatchim

Hair-Feathered Ribbon, 2016

Porcelain with metal wire, fishing hooks, tassels and lure parts

1.5 x 9 x 5 inches
4 x 23 x 13 cm.

Joeun Kim Aatchim, First Stilllife Post-"Nutcracker"-Intervention; with a Brass Nutcracker, Wounded Quinces, a Bundle of Spring, and a Mountain of Unsent Letters to Dr. H. at St. Mary's H., 2023, JKA 23.009

Joeun Kim Aatchim

First Stilllife Post-"Nutcracker"-Intervention; with a Brass Nutcracker, Wounded Quinces, a Bundle of Spring, and a Mountain of Unsent Letters to Dr. H. at St. Mary's H., 2023

Watercolor, colored pencil, pastel, conté, genuine yellow gold leaf, walnut ink on silk mounted on soot ink treated wood

24 x 18 inches
61 x 45.5 cm.

Joeun Kim Aatchim, Afterimage, from the Hoxton Hotel Los Angeles (Agathe), 2024, JKA 24.017

Joeun Kim Aatchim

Afterimage, from the Hoxton Hotel Los Angeles (Agathe), 2024

Watercolor, colored pencil, genuine gold paint on silk, two-way acrylic mirror, black walnut frame

13 x 11 inches
33 x 28 cm.

Joeun Kim Aatchim, Please Don’t Step on My Tale, It Hurts, 2012 - 2022, JKA 12.001

Joeun Kim Aatchim

Please Don’t Step on My Tale, It Hurts, 2012 - 2022

Copperplate intaglio printed in multicolor a la poupee and aluminum pigment with Chine-Colle, Typewriter written text on paper

8 x 7.25 inches
20.5 x 18.5 cm.

Joeun Kim Aatchim, UnIrised, 2019 - 2022, JKA 22.012

Joeun Kim Aatchim

UnIrised, 2019 - 2022

Mineral pigment on silk mounted on aluminum frame, .925 sterling silver pendant and ring

11.5 x 9.5 inches
29 x 24 cm.

Joeun Kim Aatchim, Receive Me As a Fool, Answer Me Quickly, and Play Skillfully, 2019, JKA 19.006

Joeun Kim Aatchim

Receive Me As a Fool, Answer Me Quickly, and Play Skillfully, 2019

Etching on glass, intaglio ink, blackened jewelry solder, rose pen nib, copper

12 x 10.25 x 3 inches
30.5 x 26 x 7.5 cm.

Joeun Kim Aatchim, The Roulette Sunday: The Mezzanine Worshiper, 2022, JKA 22.004

Joeun Kim Aatchim

The Roulette Sunday: The Mezzanine Worshiper, 2022

Mineral pigment, refined pine soot ink on silk mounted on aluminum frame, .925 sterling silver pendant and ring

9.5 x 11.5 inches
24 x 29 cm.

Joeun Kim Aatchim, Repot Me Not; I am Here, a Year after a Year, 2022, JKA 22.005

Joeun Kim Aatchim

Repot Me Not; I am Here, a Year after a Year, 2022

Mineral pigment suspended in glue, whitegold leaf on silk mounted on soot ink treated wood panel, egg tempera on wood panel

12 x 18 inches
30.5 x 46 cm.

Joeun Kim Aatchim, Not Your Fault (Reconstructed Memoryscape of a Lino Room Overlapped with A Post-Yaddo Double Self-Portrait, Saratoga Springs, NY), 2023, JKA 23.012

Joeun Kim Aatchim

Not Your Fault (Reconstructed Memoryscape of a Lino Room Overlapped with A Post-Yaddo Double Self-Portrait, Saratoga Springs, NY) , 2023

Stone and earth pigment suspended in shellac, colored pencil, conté on silk, 10K white gold leaf, canvas,
artist’s handmade sterling silver nail and charm

31 1/4 x 25 1/2 inches
79.4 x 64.8 cm.

Joeun Kim Aatchim, Blessed to Forget—My Wine-Glass’-Neck-Like-Ankle and My Accessory Navicular Pain, 2023, JKA 23.002

Joeun Kim Aatchim

Blessed to Forget—My Wine-Glass’-Neck-Like-Ankle and My Accessory Navicular Pain, 2023

Mineral pigment, pastel, colored pencil on silk, gouache on linen

14 x 16 inches
35.6 x 40.6 cm.
15 1/2 x 17 1/2 x 1 1/2 inches (framed)
39.4 x 44.5 x 3.8 cm. (framed)

Joeun Kim Aatchim, Sinking, 2021 - 2022, JKA 22.013

Joeun Kim Aatchim

Sinking, 2021 - 2022

Mineral pigment, colored pencil, whitegold leaf, casein, wax on silk mounted on soot ink treated wood, pastel on canvas

26 x 20 inches
66 x 51 cm.

Joeun Kim Aatchim, The Morning Squatter; A Funny Health Song with Pepe & Smiley Viskovitz, 2019 - 2022, JKA 22.011

Joeun Kim Aatchim

The Morning Squatter; A Funny Health Song with Pepe & Smiley Viskovitz, 2019 - 2022

Mineral pigment, refined pine soot ink, whitegold leaf on silk mounted on aluminum frame earth pigment on silk collage and graphite drawing on paper, .925 sterling silver pendant and chain

11.5 x 9.5 inches
29 x 24 cm.

Joeun Kim Aatchim, Still Life with a Gift from a Day & Night Visitor, Assorted Salad from Chocomount Beach, J’s Broken Key Chain, and A Blue Watercolor Pan Just In Case. Visit Me Again When The Sun Comes Up, 2022, JKA 22.006

Joeun Kim Aatchim

Still Life with a Gift from a Day & Night Visitor, Assorted Salad from Chocomount Beach, J’s Broken Key Chain, and A Blue Watercolor Pan Just In Case. Visit Me Again When The Sun Comes Up, 2022

Mineral pigment, copper and bronze pigment gouache, and refined pine soot ink on silk

11.75 x 9.25 inches
30 x 23.5 cm.

Joeun Kim Aatchim, Miss Ceilingfan in Blue (Longing), 2025, JKA 25.007

Joeun Kim Aatchim

Miss Ceilingfan in Blue (Longing), 2025

Mineral pigment in shellac, watercolor, and genuine white gold on silk, mounted on soot ink-treated wood, artist's frame

11.5 x 9.5 inches
29 x 24 cm.

Joeun Kim Aatchim, Long Murmur, 2025, JKA 25.009

Joeun Kim Aatchim

Long Murmur, 2025

Mineral pigment in shellac on walnut ink-treated silk, cotton cord, artist’s frame

11.5 x 9.5 inches (framed)
29 x 24 cm. (framed)

Joeun Kim Aatchim, Ratio of Love (Times Square Serenade), 2014, JKA 25.010

Joeun Kim Aatchim

Ratio of Love (Times Square Serenade), 2014

Drypoint intaglio, Chine colle

16.75 x 12.75 inches (framed)
43 x 32 cm.

Unique AP

Joeun Kim Aatchim, Long and Repeated Fray and A Laurel Borne by Weary Hands, 2025, JKA 25.011

Joeun Kim Aatchim

Long and Repeated Fray and A Laurel Borne by Weary Hands, 2025

Mineral pigment in shellac, watercolor pencil, pastel on silk, linen cord, bronze hardware, leather cord, acrylic mirror, artist’s painted frame

25 x 21 inches (framed)
63 x 53 cm. (framed)

Joeun Kim Aatchim, Long Nonchalance (So Delicious, My Unsweetened Life), 2025, JKA 25.012

Joeun Kim Aatchim

Long Nonchalance (So Delicious, My Unsweetened Life), 2025

Mineral pigment in shellac, watercolor pencil on walnut ink-treated silk, linen cord, genuine white gold, artist’s painted frame

23.25 x 19.25 inches (framed)
59 x 49 cm. (framed)

Joeun Kim Aatchim, Long Slumber (Sweet and Salty), 2025, JKA 25.013

Joeun Kim Aatchim

Long Slumber (Sweet and Salty), 2025

Mineral pigment in shellac, genuine gold paint, watercolor on silk, artist’s painted frame

21.25 x 25.25 inches (framed)
54 x 64 cm. (framed)

Joeun Kim Aatchim, Miss Ceilingfan said, “I am thinking of writing a novel about a place whose remembrance is prohibited.”, 2023, JKA 23.011

Joeun Kim Aatchim

Miss Ceilingfan said, “I am thinking of writing a novel about a place whose remembrance is prohibited.”, 2023

Earth Pigment watercolor, colored pencil, conté, genuine white gold leaf on silk mounted on pine soot ink treated wood

9 x 12 inches
23 x 31 cm.

Joeun Kim Aatchim, Long Tresses, 2025, JKA 25.014

Joeun Kim Aatchim

Long Tresses, 2025

Mineral pigment in shellac, watercolor pencil on walnut ink-treated silk, linen cord, genuine white gold, artist’s painted frame

23.25 x 19.25 inches (framed)
59 x 49 cm. (framed)

Joeun Kim Aatchim, Long Pause, 2025, JKA 25.015

Joeun Kim Aatchim

Long Pause, 2025

Mineral pigment in shellac, watercolor pencil on walnut ink-treated silk, linen cord, genuine white gold, artist’s painted frame

23.25 x 19.25 inches (framed)
59 x 49 cm. (framed)

Joeun Kim Aatchim, Long Repose, 2025, JKA 25.016

Joeun Kim Aatchim

Long Repose, 2025

Mineral pigment in shellac, watercolor pencil on walnut ink-treated silk, linen cord, genuine white gold, artist’s painted frame

23.25 x 28.25 inches (framed)
59 x 72 cm. (framed)

Joeun Kim Aatchim, Flutter Within, 2025, JKA 25.017

Joeun Kim Aatchim

Flutter Within, 2025

Mineral pigment in shellac on silk

12 x 9.5 inches (framed)
31 x 24 cm. (framed)

Joeun Kim Aatchim, Such Person, 2022, JKA 22.007

Joeun Kim Aatchim

Such Person, 2022

Earth pigment, refined pine soot ink on silk mounted on soot ink treated wood, canvas. Softground copper plate intaglio on cotton rag mounted on Dura-Lar, copper nails

14 x 16 inches
35.5 x 40.5 cm.

Joeun Kim Aatchim, Willa, 2024-2025, JKA 25.018

Joeun Kim Aatchim

Willa, 2024-2025

Mineral pigment in shellac, watercolor, and genuine white gold on silk, mounted on soot-ink-treated wood, artist’s frame with copper foil, linen cord, sterling silver cast needle

13.5 x 11 inches (framed)
34 x 28 cm. (framed)

Joeun Kim Aatchim, Long Unfurl, 2025, JKA 25.019

Joeun Kim Aatchim

Long Unfurl, 2025

Mineral pigment in shellac, watercolor pencil on walnut ink-treated silk, linen cord, artist’s lacquer-painted fram

13 x 11 inches (framed)
33 x 28 cm. (framed)

Joeun Kim Aatchim, Long Dissonance, 2025, JKA 25.020

Joeun Kim Aatchim

Long Dissonance, 2025

Watercolor pencil, mineral pigment in shellac on silk, linen cord, artist’s painted frame

13 x 11 inches (framed)
33 x 28 cm. (framed)

Joeun Kim Aatchim, Shadowing, 2025, JKA 25.021

Joeun Kim Aatchim

Shadowing, 2025

Sterling silver, waxed cotton cord

Size variable

Edition of 36 plus 1 AP

Joeun Kim Aatchim, Long Hesitation, 2025, JKA 25.022

Joeun Kim Aatchim

Long Hesitation, 2025

Mineral pigment in shellac, watercolor pencil on walnut ink-treated silk, linen cord, genuine white gold, artist’s painted frame

21 x 17 inches (framed)
53 x 43 cm. (framed)

Joeun Kim Aatchim, Piggyback: A Hug for the Moon Watchers (After a Writer's Visit), 2023, JKA 23.015

Joeun Kim Aatchim

Piggyback: A Hug for the Moon Watchers (After a Writer's Visit), 2023

Mineral pigment suspended in shellac on silk, pastel, watercolor pencil, pine soot ink-treated wood, charcoal on mulberry paper (rear layer)

25 x 27.25 inches
63.5 x 69.2 cm.

Joeun Kim Aatchim, Farewell, My Chun-Sam (춘천에서 삼월에 온 춘삼, 나의 춘삼이), 2023, JKA 23.013

Joeun Kim Aatchim

Farewell, My Chun-Sam (춘천에서 삼월에 온 춘삼, 나의 춘삼이), 2023

Mineral & earth pigment suspended in shellac on silk, watercolor pencil, and walnut ink, genuine white gold leaf, conté, watercolor pencil, walnut ink, copper nails

15.5 x 17.5 inches
39.5 x 44.5 cm

Joeun Kim Aatchim, Girls on Edge, 2019, JKA 19.002

Joeun Kim Aatchim

Girls on Edge, 2019

Mineral pigment on silk mounted on soot ink treated wood, blackened silver leaf, nails

5.5 x 7.5 x 2 inches
13.97 x 19.05 x 5.08 cm.

Basel Abbas & Ruanne Abou-Rahme, And Yet My Mask is Powerful, 2016, BA 16.001

Basel Abbas & Ruanne Abou-Rahme

And Yet My Mask is Powerful, 2016

Single channel video

Carlos Agredano, Collector, 2020, CA 20.001

Carlos Agredano

Collector, 2020

Smog, carbon monoxide (CO), sulfur dioxide (SO2), nitrogen dioxide (NO2), ground-level ozone (O3), particulate matter (PM2.5 and PM10), soot, dirt, dust, guano, automobile tire microplastics, and other unidentified debris sourced from Lynwood, California on canvas

101 x 71.5 inches
256.5 x 182 cm.
102.75 x 72.25 inches (framed)
261 x 183.5 cm. (framed)

Carlos Agredano, Collector, 2021, CA 21.001

Carlos Agredano

Collector, 2021

100.75 x 72 inches
256 x 183 cm.
102.25 x 73 inches (framed)
260 x 185.5 cm. (framed)

Carlos Agredano, Collector, 2022, CA 22.001

Carlos Agredano

Collector, 2022

101.25 x 71.5 inches
257.5 x 182 cm.
102.75 x 72.25 inches (framed)
261 x 183.5 cm. (framed)

Dabin Ahn, Flora and Fauna II, 2025, DAS 25.006

Dabin Ahn

Flora and Fauna II, 2025

Oil on linen in artist’s frame

18.5 x 13.5 inches
47 x 34.5 cm.

Dabin Ahn, Above and Beyond, 2025, DAS 25.008

Dabin Ahn

Above and Beyond, 2025

Oil on linen in artist’s frame

18.25 x 17 inches
46.5 x 43 cm.

Dabin Ahn, Flora and Fauna, 2025, DAS 25.009

Dabin Ahn

Flora and Fauna, 2025

Oil on linen in artist’s frame

18.5 x 14 inches
47 x 35.5 cm.

Dabin Ahn, Home, 2025, DAS 25.010

Dabin Ahn

Home, 2025

Oil on linen in artist’s frame

18 x 13 inches
45.5 x 33 cm.

Dabin Ahn, Golden Days, 2025, DAS 25.011

Dabin Ahn

Golden Days, 2025

Oil on linen in artist's frame

15.5 x 9.5 inches
39 x 24 cm.

Dabin Ahn, Repose, 2025, DAS 25.012

Dabin Ahn

Repose, 2025

Oil on linen and walnut

19 x 13 inches
48 x 33 cm.

Dabin Ahn, Golden Days II, 2025, DAS 25.013

Dabin Ahn

Golden Days II, 2025

Oil on linen in artist’s frame

15.5 x 9.5 inches
40 x 24 cm.

Dabin Ahn, Warmth, 2025, DAS 25.014

Dabin Ahn

Warmth, 2025

Oil on linen in artist frame

15 x 9.75 inches
38 x 25 cm.

Dabin Ahn, Untitled (Dad), 2025, DAS 25.015

Dabin Ahn

Untitled (Dad), 2025

Oil on linen and walnut

21 x 14 inches
53.5 x 35.5 cm.

Dabin Ahn, Ephemeral II, 2025, DAS 25.016

Dabin Ahn

Ephemeral II, 2025

Oil on turquoise, brass, adhesive, walnut

16 x 2.5 x 2.5 inches
40.5 x 6.5 x 6.5 cm.

Dabin Ahn, Ephemeral, 2025, DAS 25.018

Dabin Ahn

Ephemeral, 2025

Sculpture: Oil on wood, turquoise, mother of pearl inlay, brass
Base: Walnut, Poplar, hardware

62 x 21 x 10 inches
157.5 x 53.5 x 25.5 cm.

Dabin Ahn, Ephemeral (Nocturne), 2025, DAS 25.019

Dabin Ahn

Ephemeral (Nocturne), 2025

Oil on linen over panel, mother of pearl inlay, turquoise, brass, cast resin, in artist’s frame

17 x 12 inches
43 x 30.5 cm.

Dabin Ahn, Behind the Lights, 2026, DAS 26.001

Dabin Ahn

Behind the Lights, 2026

Oil on linen

9.5 x 13 inches
24 x 33 cm.

Kelly Akashi, Cultivator (Fruiting Whorl), 2021, KA 21.023

Kelly Akashi

Cultivator (Fruiting Whorl), 2021

Carved, polished, and waxed travertine, cast lead crystal, lost-wax cast bronze

18.5 x 18 x 2.5 inches
47 x 45.5 x 6.5 cm.

Kelly Akashi, Formation, 2021, KA 21.042

Kelly Akashi

Formation, 2021

Chromogenic crystallograph in aluminum artist's frame

34.25 x 23.25 inches (framed)
87 x 59 cm. (framed)

Kelly Akashi, Spirit Complex, 2019, KA 19.017

Kelly Akashi

Spirit Complex, 2019

Red oak, hand-blown glass, stereolithograph 3D prints, ortho litho film in walnut artist's frame, cast lead crystal, rope

73 x 48 x 11 inches
185.5 x 122 x 28 cm

Kelly Akashi, Cobalt Blue (Horizontal Arrangement), 2016, KA 16.043

Kelly Akashi

Cobalt Blue (Horizontal Arrangement), 2016

Chromogenic photogram in walnut artist's frame

20.5 x 16.5 inches
52.1 x 41.9 cm

Kelly Akashi, Shadow Film, 2017, KA 17.050

Kelly Akashi

Shadow Film, 2017

16mm film, projector, copper foil, copper rod, whipping twine, brass clips

5 min, looped

Kelly Akashi, Ripple, 2019, KA 19.001

Kelly Akashi

Ripple, 2019

Stainless steel, hand-blown glass

55.5 x 13.5 x 13.5 inches
141 x 34.5 x 34.5 cm

Kelly Akashi, ways of being (figure), 2016, KA 16.101

Kelly Akashi

ways of being (figure), 2016

Brick, lead, wax, wick

26 x 6 x 42 inches
66 x 15.2 x 106.7 cm

Kelly Akashi, Wall Candle (Tentacle), 2016, KA 16.095

Kelly Akashi

Wall Candle (Tentacle), 2016

Bronze, wax, wick

6 x 3 x 10.5 inches
15.2 x 7.6 x 26.7 cm

Kelly Akashi, Inheritance, 2021, KA 21.027

Kelly Akashi

Inheritance, 2021

Poston stone, cast lead crystal, heirloom (grandmother's ring)

5.5 x 8 x 6 inches
14 x 20.5 x 15 cm.

Kelly Akashi, Cobalt Blue (Vertical Arrangement), 2016, KA 16.040

Kelly Akashi

Cobalt Blue (Vertical Arrangement), 2016

Chromogenic photogram in walnut artist's frame

20.5 x 16.5 inches
52.1 x 41.9 cm

Kelly Akashi, Formation, 2021, KA 21.040

Kelly Akashi

Formation, 2021

Chromogenic crystallograph in aluminum artist's frame

31.75 x 22.5 inches (framed)
80.5 x 57 cm. (framed)

Kelly Akashi, Heirloom, 2021, KA 21.030

Kelly Akashi

Heirloom, 2021

Cast beeswax, Poston tumbleweed

24 x 21 x 22 inches
61 x 53.5 x 56 cm.

Kelly Akashi, Be Me (Japanese-Californian Citrus), 2016, KA 16.008

Kelly Akashi

Be Me (Japanese-Californian Citrus), 2016

Stainless steel

5 x 4 x 4 inches
12.7 x 10.2 x 10.2 cm

Kelly Akashi, Conjoined Weeds, 2020-2021, KA 21.018

Kelly Akashi

Conjoined Weeds, 2020-2021

Lost-wax cast bronze, cut and scratched copper foil

35 x 8.5 x 6.5 inches
89 x 21.5 x 16.5 cm.

Kelly Akashi, Candle Wreath, 2016, KA 16.097

Kelly Akashi

Candle Wreath, 2016

Bronze, silver nitrate, steel rope

16 x 2 x 16 inches
40.6 x 5.1 x 40.6 cm

Kelly Akashi, Image of a Thing (Pink), 2016, KA 16.049

Kelly Akashi

Image of a Thing (Pink), 2016

Chromogenic photogram in walnut artist's frame

14.5 x 11.5 inches
36.8 x 29.2 cm

Kelly Akashi, Be Me, 2020-2021, KA 21.029

Kelly Akashi

Be Me, 2020-2021

Carved alabaster, heirloom

9 x 16 x 8 inches
22.9 x 40.6 x 20.3 cm.

Kelly Akashi, Bending Weeds, 2016, KA 16.086

Kelly Akashi

Bending Weeds, 2016

Bronze, copper, plant ash

23 x 2 x 13 inches
58.4 x 5 x 33 cm

Kelly Akashi, Body Complex, 2019, KA 19.016

Kelly Akashi

Body Complex, 2019

Red oak, hand-blown glass, stainless steel, stereolithography 3D print, ortho litho prints in walnut artist's frames, found medical illustrations, whipping twine, cut onion

49 x 72 x 11 inches
124.5 x 183 x 28 cm

Kelly Akashi, Blue Protean, 2019, KA 19.012

Kelly Akashi

Blue Protean, 2019

Chromogenic photogram in artist's red oak frame

Kelly Akashi, Ring, 2015, KA 15.002

Kelly Akashi

Ring, 2015

Bronze, Rope

10 x 22 x 21 inches
25.4 x 55.9 x 53.3 cm

Kelly Akashi, Spawn, 2021, KA 21.021

Kelly Akashi

Spawn, 2021

Carved and drilled sandstone, lost-wax cast bronze

4 x 4.5 x 5 inches
10 x 11.5 x 12.5 cm.