Joeun Kim Aatchim, Sinking, 2021 - 2022, Mineral pigment, colored pencil, whitegold leaf, casein, wax on silk mounted on soot ink treated wood, pastel on canvas, 26 x 20 inches (66 x 51 cm.)
Installation view, Joeun Kim Aatchim, Homed, 2022. François Ghebaly, New Nork, NY
Joeun Kim Aatchim, Piggyback (Amused), 2019, Mineral pigment and refined pine soot ink on silk, 10 x 8.25 inches (25.5 x 21 cm.)
Installation view, Joeun Kim Aatchim, Homed, 2022. François Ghebaly, New Nork, NY
Joeun Kim Aatchim, Another New Song: My Inability to Finish Writing My Extraordinary Ability to Continue Writing, 2019 - 2022. Mineral pigment on silk, glass, blackened silver solder, clear vellum, 4.25 x 3.25 x 3 inches (11 x 8.5 x 7.5 cm.)
Joeun Kim Aatchim, Bail Mother Melancholy (Sunday Garden Given Forgiven), 2021. Mineral pigment suspended in glue on silk, colored pencil, conté on paper, brass, wood, waxed cotton, leather, blackened steel, found wood cross painted with India ink, sterling silver, 36 x 24 inches (91.5 x 61 cm.)
Joeun Kim Aatchim, My Intermittent Prayer in Adulthood was only an Embarrassing Plagiarism of My Childhood's. Then Again, I Rely on My Mother’s Secret Speaking in Tongues that No one Knows what it Meant Even Herself, 2022. Mineral and earth pigment, colored pencil, casein, wax on silk mounted on refined pine soot ink treated wood, 11 x 17 inches (28 x 43 cm.)
Joeun Kim Aatchim, Miss Sanity & I, On/Off the Cliff (To find a way to throw them away) over Sappho Off the Cliff Rubbing, 2018 - 2022, Mineral pigment, colored pencil, casein, wax, and whitegold leaf on silk mounted on refined pine soot ink treated wood, pastel on mulberry paper mounted on canvas, 19.75 x 26 inches (50 x 66 cm.)
Installation view, Joeun Kim Aatchim, 사자굴 [Sajagul] — Then, out of the Den, 2022. Make Room, Los Angeles, CA
Installation view, Joeun Kim Aatchim, 사자굴 [Sajagul] — Then, out of the Den, 2022. Make Room, Los Angeles, CA
Installation view, Joeun Kim Aatchim, 사자굴 [Sajagul] — Then, out of the Den, 2022. Make Room, Los Angeles, CA
Joeun Kim Aatchim, Doubt The Hands (The Debt Collector Seeks the Father Through a Milk Delivery Hole), 2022. Mineral and earth pigment suspended in glue, refined pine soot ink, charcoal, graphite, chalk on silk, 35 x 50 x 1.25 inches.
Joeun Kim Aatchim, Still life with An Alone time, A Candy Bar, an Ember Cup, and Poet’s Daffodil, Over Mother’s Poem (Item Found in Her Pocket by a Child Detective) (2022). Mineral and earth pigment suspended in glue on silk, ink on cotton, 24 x 20 x 1 inches.
Installation view, Joeun Kim Aatchim, Can Day See Mee?, Harper’s, East Hampton, NY