Biography
From titanic anthropomorphized hot dogs, to phantom skirt-suits and strolling fingers, Ivy Haldeman has spent over a decade cultivating a practice in painting and multimedia sculpture that flexes the psychic power of slippage and transfiguration. Blending elements of psychoanalysis, character study, and visual sociology, Haldeman creates work interested in the mechanisms of commodity fetishism and the interior subjective. Across her work, colossal figures, depicted in clean lines and graphic styling, are cast against the brilliance of titanium dioxide. Their range of physical and emotive states—sensual relaxation, withdrawn repose, casual ennui, electric self- assertion—exemplify Haldeman’s fluency in gestural language, and enrich her figures’ concurrent investments in labor and capital. Interweaving consumerist tropes, ironic conceit, and sensitive, humanist rendering, Haldeman’s practice probes the depths of our capacities of self-recognition.

Ivy Haldeman (b. 1985, Aurora, Colorado) currently works and resides in New York City. Haldeman received a BFA from Cooper Union in 2008, and her recent solo exhibitions include François Ghebaly (2024, 2020); Tara Downs (2023, 2021, 2018); Yuz Museum (2022) and Capsule Shanghai (2019). Her work has been exhibited in numerous group exhibitions, including at Petzel Gallery, Hauser & Wirth, Fredericks & Freiser, the Frans Hal Museum, and Paul Kasmin Gallery, among others. Haldeman and her work have been featured by the New York Times, Cultured Magazine, W Magazine, Brooklyn Rail, the New Yorker, and Artforum.
Works
Installation Views
Exhibitions
Press
Inquiry

Send me more information on Ivy Haldeman

Please fill in the fields marked with an asterisk
Receive newsletters *