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Rindon Johnson, On the islands the sea breeze is soft and mild. The play began as soon as we sat down. This will lead the world to more sound and fury. Add salt before you fry the egg. The rush for funds reached its peak Tuesday. The birch looked stark white and lonesome, 2020
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Jacqueline Kiyomi Gork, Acoustic Panel #2, 2020
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Candice Lin, Future Sarcophagus, 2020
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Sascha Braunig, The Fitting, 2020
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Ivy Haldeman, Colossus, Head Leans Right, Hand Supports Bun, Face Covered, 2020
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Neïl Beloufa, Flowers J786GFDR4, 2020
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Em Kettner, The Invalids, 2020
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Genesis Belanger, Well Tended, 2020
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Candice Lin, Sorting the Rats, 2020
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Ali Eyal, Berlin's drawing pad, and, 2020
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Candice Lin, Chinatown, San Francisco, 1907, 2020
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Kathleen Ryan, Bad Melon (Wedge), 2020
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Marius Bercea, After Equinox, 2020
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Christine Sun Kim, When Grammar Mood, 2020
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Kathleen Ryan, Bad Grapes, 2020
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Genesis Belanger, Inner Beauty, 2020
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Jacqueline Kiyomi Gork, Variations in Mass #3, 2020
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Genesis Belanger, Manifest Destiny, 2020
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Sharif Farrag, Inside Out Oasis, 2020
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Christine Sun Kim, Clock Face, 2020
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Christine Sun Kim and Thomas Mader, Palm Reader, 2020
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Ali Eyal, Where Does A Thought Go When It's Forgotten?, 2019 - 2022
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Rindon Johnson, Among other things (nearby occasions or 8 acts for Jeremy): What should we call this form of existence: a constant vista where from one view one can see the cage of one binding state and from another view, another binding state? Come here and have a taste, 2019
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Meriem Bennani, Ponytail, 2019
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Marius Bercea, Delicate Instruments, 2019
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Christine Sun Kim, Shit Hearing People Say To Me, 2019
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Em Kettner, The Afterbirth, 2019
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Joel Kyack, Record Cover Proposal #1, 2019
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Rindon Johnson, View out the slender window: There's always a wait in the soup somewhere and some people are looking with magnifying glass, 2019
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Meriem Bennani, Neighborhood Goggles, 2019
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Kathleen Ryan, Pleasures Known, 2019
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Rindon Johnson, Meat Growers: A Love Story, 2019
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Genesis Belanger, Hold It Together, 2019
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Joeun Kim Aatchim, Piggyback (Amused), 2019
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Neïl Beloufa, Global Agreement 1/2, 2019
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Victoria Gitman, Untitled, 2019
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Genesis Belanger, Gatekeeper, 2019
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Genesis Belanger, Waiting-Room, 2019
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Christine Sun Kim, When I Play the Deaf Card, 2019
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Marius Bercea, Radio Silence, 2019
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Genesis Belanger, Sterling, 2019
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Joel Kyack, Fountain Bust #1, 2019
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Sharif Farrag, Mosquito Jug, 2019
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Sayre Gomez, Palm Tower, 2019
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Farah Al Qasimi, Abraj Mall, 2019
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Sayre Gomez, Buzz's Lavanderia, 2019
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Neïl Beloufa, Medium Cars K, 2019
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Genesis Belanger, One For Me And One For My Friend, 2019
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Ali Eyal, Painting Size 60 x 80cm, 2019
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Candice Lin, Minoritarian Medicine, 2019
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Genesis Belanger, No Longer in Service, 2019
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Genesis Belanger, Reception, 2019
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Sayre Gomez, Orale Raza, 2019
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Em Kettner, The Sycophant, 2019
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Sharif Farrag, Catching Idea Bats, 2019
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Sharif Farrag, Laffy Taffy Gator Jug, 2019
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Sharif Farrag, Abu Foul Jug, 2019
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Farah Al Qasimi, Members of Mawtini Dance Troupe Meeting Before Performance at a Wedding, 2019
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Farah Al Qasimi, Signature Hookah Lounge, 2019
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Christine Sun Kim, Alphabet From the Speller's Point of View, 2019
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Candice Lin, Witness (Yellow Version), 2019
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Joeun Kim Aatchim, Miss Sanity & I, On/Off the Cliff (To find a way to throw them away) over Sappho Off the Cliff Rubbing, 2018 - 2022
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Christine Sun Kim, Degrees of My Deaf Rage in the Art World, 2018
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Candice Lin, Map to an Unknown Sea, 2018
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Sayre Gomez, Behind Door #9, 2018
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Joel Kyack, That Green Balloon Can Be Anything You Want It To Be / Fuck You, 2018
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Candice Lin, Fouquieria splendens, 2018
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Max Hooper Schneider, Antemortem Sirenian, 2018
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Christine Sun Kim, Suggested Amount of Allowing Friends to Sing Songs to a Baby, 2018
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Mike Kuchar, A Monster's Gift, 2018
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Kathleen Ryan, Frequency, 2018
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Mike Kuchar, Heaven's Gift, Satan's Toy!, 2018
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Mike Kuchar, Omens and Wishes, 2018
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Candice Lin, On Being Human (The slow erosion of a hard white body), 2018
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Victoria Gitman, Untitled, 2018
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Christine Sun Kim, When a Deaf Person is Around, 2018
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Maia Ruth Lee, The Stranger, 2018
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Marius Bercea, Renegades of Light, 2018
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Jacqueline Kiyomi Gork, Sound Blanket No. 2, 2018
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Maia Ruth Lee, Bondage Baggage 4, 2018
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