Cindy Ji Hye Kim
Biography
Cindy Ji Hye Kim utilizes a rich grayscale vocabulary in iconic representations of the body under duress. Synthesizing influences as disparate as early animation, construction scaffolding, pests and flora, medieval torture devices, and Korean folk arts, Kim’s depictions of the contorted human form speak to the limits of both body and language. She places special emphasis on the sculptural qualities of her works, from round panels with notches that reference early animation technology to translucent silk works with carved stretchers bars that impose a ghostly silhouette onto their painted compositions. Recurring characters such as a father figure wearing a wide-brimmed hat or a beehive-sporting housewife—each presented as a looming silhouette—haunt the works as menacing superegos. In her practice, which extends through drawing and painting to installation, sculpture, and animation, Kim marries a playful tangle of visual information with a foreboding sense of what lies beyond the surface, beyond the body, beyond the word itself.
Cindy Ji Hye Kim (Incheon, South Korea, 1990) lives and works in New York City. She received her B.F.A. from the Rhode Island School of Design in 2013 and her M.F.A. from the Yale University School of Art in 2016. Her recent institutional solo exhibitions include "Silhouettes in Lune," Savannah College of Art and Design Museum of Art (2024); "Sand in the Hourglass," Kunsthall Stavanger, Stavanger, Norway (2022); “Cindy Ji Hye Kim,” MIT List Visual Art Center, Cambridge, MA (2020). Her gallery solo exhibitions include shows at François Ghebaly, Casey Kaplan, Helena Anrather, Cooper Cole, Rodolphe Janssen, and Foxy Productions. She has shown in numerous group exhibitions, including those at the Frye Art Museum, Seattle; Jeffrey Deitch, Los Angeles; David Lewis, New York; Marianne Boesky Gallery, New York.
Kim's works are held in the public collections of the Los Angeles County Museum of Art, Rhode Island School of Design Museum, Sifang Art Museum, collection of the University of Chicago and Collection Majudia in Montréal.
Cindy Ji Hye Kim (Incheon, South Korea, 1990) lives and works in New York City. She received her B.F.A. from the Rhode Island School of Design in 2013 and her M.F.A. from the Yale University School of Art in 2016. Her recent institutional solo exhibitions include "Silhouettes in Lune," Savannah College of Art and Design Museum of Art (2024); "Sand in the Hourglass," Kunsthall Stavanger, Stavanger, Norway (2022); “Cindy Ji Hye Kim,” MIT List Visual Art Center, Cambridge, MA (2020). Her gallery solo exhibitions include shows at François Ghebaly, Casey Kaplan, Helena Anrather, Cooper Cole, Rodolphe Janssen, and Foxy Productions. She has shown in numerous group exhibitions, including those at the Frye Art Museum, Seattle; Jeffrey Deitch, Los Angeles; David Lewis, New York; Marianne Boesky Gallery, New York.
Kim's works are held in the public collections of the Los Angeles County Museum of Art, Rhode Island School of Design Museum, Sifang Art Museum, collection of the University of Chicago and Collection Majudia in Montréal.
Works
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Audience of One, 2023
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Boys with Machine (Toys), 2023
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Thousand-Eyed Monster, 2023
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Driftwood, 2023
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Haunt of the Wild Beast, 2023
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Lumen Insignia, 2023
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Crux Patriarch: A Soliloquist with an Audience of One, 2021
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Capita: The Face and Its Name, 2021
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Crux Immissa: A Story Without A Message, 2021
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Ego Pathétique, 2021
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Crux Quadrata: Pascal's Wager, 2021
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Superego Fortuna, 2020
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Workings of Pathos, 2020
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Human Heart is a Factory of Idols, 2019
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Butterflies Will Make You Blind, 2018
Installation Views
Exhibitions
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Cindy Ji Hye Kim
Soliloquy for Two June 26 - July 24, 2021 2245 E Washington Blvd., Los AngelesWhat is a spring dusk? Have we now reached the crux of the matter, and is this the end of the road? We are beginning to be at a loss...Read more -
Cindy Ji Hye Kim
The Sword Without, The Famine Within June 29 - August 3, 2019 2245 E Washington Blvd., Los AngelesThis story could be called ‘The Statues.’ Another possible name is ‘The Murder.’ And also ‘How to Kill Cockroaches.’ So I will tell at least three stories, all true because...Read more
Press
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The Cinematic Origins of Cindy Ji Hye Kim’s Ghostly Paintings on Silk
Stephanie Sporn, Artnet, June 12, 2024 -
The Artsy Vanguard 2022: Cindy Ji Hye Kim
Danielle Wu, Artsy, November 15, 2022 -
Cindy Ji Hye Kim Mines the Dark Recesses of Memory
Catherine Yang, Hyperallergic, April 24, 2022 -
Collapsing Interior and Exterior: Cindy Ji Hye Kim Interviewed
Paintings that depict the hidden body and mind.Olivia Gauthier, BOMB Magazine, July 15, 2021 -
Cindy Ji Hye Kim: Drawing the Unseen
Casey Carsel, Ocula, May 8, 2020 -
Review: Cindy Ji Hye Kim
Barry Schwabsky, Artforum, November 1, 2019 -
Cindy Ji Hye Kim Climbs the Tower of Babel
Loreta Lamargese, Cultured Magazine, October 16, 2019 -
Cindy Ji Hye Kim: Verses from the Apocalypse
Amelia Farley, The Brooklyn Rail, October 1, 2019 -
Enter the Violent Imagination of Cindy Ji Hye Kim
Louise Benson, Elephant, October 29, 2018
Inquiry