Meriem Bennani
Meriem Bennani (b. 1988, Rabat, Morocco) makes groundbreaking video installations and sculptures informed by the circulation of global cultures online. Frequently rooted in the specifics of Moroccan life and postcolonial history, her work speaks to the hybrid nature of contemporary cultural flows. Bennani combines elements of reality television, documentary film, telenovela, music videos, science fiction, and animated cartoons in her videos. Exaggerating media tropes in what Bennani describes as a “hyperactivity of genre,” her works reflect the disjointed state of contemporary mediation, an effect she amplifies in installation settings where her moving images are mapped to sculptural projection structures or viewing stations. Using strategies of immersion, duplication, multiplicity, and remix, Bennani blends a powerful mix of humor and critique, reaffirming the power of family and home while analyzing larger systems of power across a networked world.
Meriem Bennani earned her BFA from Cooper Union in New York, and her MFA at the École Nationale Supérieure des Arts Décoratifs in Paris. Her video series 2 Lizards, produced in collaboration with Orian Barki, has been hailed by writers and curators as a preeminent document of life under quarantine. Recent solo presentations include Fondation Kamel Lazaar, Tunis, Tunisia; Whitney Museum of American Art, New York, USA; The High Line, New York, USA; CLEARING, Brussels, Belgium; The Renaissance Society at the University of Chicago, Chicago, USA; Nottingham Contemporary, Nottingham, UK; Kunstverein Wiesbaden, Wiesbaden, Germany; François Ghebaly, Los Angeles, USA; Julia Stoschek Collection, Berlin, Germany; Fondation Louis Vuitton, Paris, France; and MoMA PS1, Queens, USA. Bennani’s work was featured in the 2019 Whitney Biennial, the 2018 Biennale of Moving Images, and the 2016 Shanghai Biennale. She will present a major solo exhibition at Fondazione Prada, Milan, Italy, in the fall of 2024.
Bennani’s work is held in the collections of the Guggenheim Museum, New York USA; The Museum of Modern Art, New York, USA; the Whitney Museum of American Art, New York, USA; Kadist Foundation, Paris, France; and Musée d’Art Moderne de la Ville de Paris, Paris, France.
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Meriem Bennani
Guided Tour of a Spill March 6 - May 1, 2021 2245 E Washington Blvd., Los AngelesFrançois Ghebaly is proud to announce Meriem Bennani’s Guided Tour of a Spill , the artist’s first solo exhibition with the gallery. Before we get to the spill, you should...Read more -
Bad Peach
Group Exhibition August 10 - September 7, 2019 2245 E Washington Blvd., Los AngelesKelly Akashi Sayre Gomez Haroon Mirza Davide Balula Channa Horwitz Cassi Namoda Dan Bayles Patrick Jackson Eli Ping Neïl Beloufa Christine Sun Kim Umar Rashid Meriem Bennani Mike Kuchar Kathleen...Read more -
Peel
Curated by DM Office March 23 - April 28, 2019 2245 E Washington Blvd., Los AngelesFarah Al Qasimi Meriem Bennani Dora Budor Oto Gillen Win McCarthy Troy Michie Elle Pérez Em Rooney Heji Shin All the odd...Read more
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Artist Meriem Bennani Brings Dancing Flip-Flops, Lesbian Yearning, and a Dose of Tragicomic Swag to Milan
Ella Martin-Gachot, Cultured, October 21, 2024 -
How Meriem Bennani became one of the most fascinating artists of her generation
Martha Kirszenbaum, Numéro, May 18, 2023 -
How Two Talking Lizards Went From Instagram Sensations to a Major Museum
Steph Eckardt, W Magazine, October 6, 2022 -
Beam me up, Priti! The sci-fi about teleporting refugees that feels very real
Alex Rayner, The Guardian, May 23, 2022 -
Ending a Trilogy, Artist Meriem Bennani Contemplates What Liberation Means for an Imagined Place
Alex Greenberger, ARTnews, April 5, 2022 -
Meriem Bennani will present a new public artwork for the High Line in New York
Flash Art, February 21, 2022 -
Artist Meriem Bennani’s Year of Cultural Vertigo
Cat Kron, ArtReview, May 7, 2021 -
Interview: Full Slap All the Time
Juliana Halpert & Meriem Bennani, X-TRA Quarterly, May 6, 2021 -
The Robotic Heart of Freedom
Travis Diehl, Art in America, April 14, 2021 -
The ‘2 Lizards’ of Instagram Are Coronavirus Art Stars
Jon Caramanica, The New York Times, April 22, 2020 -
Meriem Bennani and Her Absurdist Island in the Future
Erin Leland, Cultured Magazine, June 27, 2019 -
Art Review: Meriem Bennani’s ‘Gradual Kingdom’ Focuses on Morocco
Martha Schwendener, The New York Times, December 3, 2015