More selected projects

Christine Sun Kim

CV | Press | Exhibitions: 2018

Christine Sun Kim, "Finish Forever" 2018. Installation view, François Ghebaly, Los Angeles. 

Christine Sun Kim, "Finish Forever" 2018. Installation view, François Ghebaly, Los Angeles. 

Christine Sun Kim, "Finish Forever" 2018. Installation view, François Ghebaly, Los Angeles. 

Christine Sun Kim, "Finish Forever" 2018. Installation view, François Ghebaly, Los Angeles. 

Christine Sun Kim, "Finish Forever" 2018. Installation view, François Ghebaly, Los Angeles. 

Christine Sun Kim, "Closing Credits Music" 2016, Charcoal on paper, 20.5 x 26 inches. 

Christine Sun Kim, "Muffled Club Music" 2016, Charcoal on paper, 20.5 x 26 inches. 

Christine Sun Kim, "Royalty Free Song" 2016, Charcoal on paper, 20.5 x 26 inches. 

Christine Sun Kim, "Very Fast Rap Song" 2016, Charcoal on paper, 20.5 x 26 inches. 

Christine Sun Kim, "The Sound of Laziness" 2016, Charcoal on paper, 21.5 x 27.25 inches. 

Christine Sun Kim, "The Sound of Being Resigned" 2016, Charcoal on paper, 20.5 x 26 inches. 

Christine Sun Kim, "The Sound of Apathy" 2016, Charcoal on paper, 21.5 x 27.25 inches. 

Christine Sun Kim, "With a Capital D," 2018. Installation view, White Space, Beijing. 

Christine Sun Kim, "Degrees of Deaf Rage Within Educational Settings," 2018, Charcoal on paper, 49.25 x 49.25 inches. 

Christine Sun Kim, "Degrees of Institutional Deaf Rage," 2018, Charcoal on paper, 49.25 x 49.25 inches. 

Christine Sun Kim, "Degrees of Deaf Rage In The Art World," 2018, Charcoal on paper, 49.25 x 49.25 inches. 

Christine Sun Kim, "English vs Deaf English," 2018. Selected drawings, charcoal on paper, 20 x 16 inches.

Christine Sun Kim, "With a Capital D," 2018. Installation view, White Space, Beijing. 

Christine Sun Kim, "Why My Hearing Daughter Signs," 2018, Charcoal on paper, 49.25 x 49.25 inches. 

Christine Sun Kim, "Why I Work With Sign Language Interpreters," 2018, Charcoal on paper, 49.25 x 49.25 inches. 

Christine Sun Kim, "Too Much Future," 2018, Billboard, Whitney Museum of American Art, New York. 

Christine Sun Kim, "Words –> Shape –> Reality," 2018, Billboard, Jefferson City, Missouri. 

Christine Sun Kim, "Real Talk: Using Sign Language Will Make You a Better Person," 2018, Billboard, Des Moines, Iowa. 

Christine Sun Kim, "The Grid of Prefixed Acousmatics," 2017. Ceramics, charcoal and pen on paper, Strauss Gallery, Dartmouth Univerity, Hanover, New Hampshire.

Christine Sun Kim, "The Grid of Prefixed Acousmatics," 2017. Ceramics, charcoal and pen on paper, Strauss Gallery, Dartmouth Univerity, Hanover, New Hampshire.

Christine Sun Kim, "The Grid of Prefixed Acousmatics," 2017. Ceramics, charcoal and pen on paper, Strauss Gallery, Dartmouth Univerity, Hanover, New Hampshire.

Christine Sun Kim, "The Grid of Prefixed Acousmatics," 2017. Ceramics, charcoal and pen on paper, Strauss Gallery, Dartmouth Univerity, Hanover, New Hampshire.

Christine Sun Kim, "Close Readings," 2016, Four channel video, 25 min 53 sec.

Christine Sun Kim, "Future Base," 2016, Selection from the series of six, Charcoal on paper, 11.75 x 15.75 inches.

Christine Sun Kim, "Future Base," 2016, Selection from the series of six, Charcoal on paper, 11.75 x 15.75 inches.

Christine Sun Kim, "Future Base," 2016, Selection from the series of six, Charcoal on paper, 11.75 x 15.75 inches.

Christine Sun Kim, "Future Base," 2016, Selection from the series of six, Charcoal on paper, 11.75 x 15.75 inches.

Christine Sun Kim, "Nap Disturbance," 2016, Live performance, Carroll / Fletcher Gallery, Frieze London.

Christine Sun Kim, "Available Spaces for Composers," 2016, Charcoal on paper in eight parts, Each 19.75 x 25.5 inches.

Christine Sun Kim, "Game of Skill 2.0," 2015, Velcro, magnets, custom electronics, intern’s voice, Installation view at MoMA PS1, New York.

Christine Sun Kim, "4x4," 2015, Sound, Installation view at Andquestionmark, Stockholm.

Christine Sun Kim, "Soundings," 2013, Charcoal and pen on paper, Each 38.5 x 20 inches, Installation view at MoMA, New York.

Christine Sun Kim, "Face Opera II" 2013, Commissioned by Calder Foundation for "They might well have been remnants of the boat," New York.

Christine Sun Kim, "Subjective Loudness" 2013, Sound Live Tokyo, Ueno Park, Japan.