Materia Medica
Ann Craven, Becca Mann, Candice Lin, Catalina Ouyang, Diane Severin Nguyen, Evelyn Statsinger, Hugh Hayden, Janis Miltenberger, Jessie Homer French, Kay Hofmann, Max Hooper Schneider, Nancy Youdelman, Rindon Johnson
Curated by Kelly Akashi
July 22 - September 4, 2020
Press Release | KCRW Art Insider | LA Weekly | Art & Object | LA Times | Artillery Magazine
Kay Hofmann, Bound Round, 1982. Hand carved alabaster. 15 x 10 x 7 inches (38 x 25.5 x 18 cm).
Candice Lin, Untitled (Abortifacient Flower), 2016. Epoxy resin, plastic, aluminum powder, oil paint, vaporizer, hydrosol made from abortifacient Caribbean plants. 37 x 35 x 17 inches (94 x 89 x 43 cm).
Candice Lin, Minoritarian Medicine, 2020. Glazed ceramics, gold luster, oak gall, hand forged metal nails, abalone, azurite, chrysocolla, turkey tail mushroom, sugarcane, various tinctures and hand sanitizer, oil on board, wood cabinet. 25½ x 24 x 6¼ in. (65 x 61 x 15.9 cm).
Evelyn Statsinger, High Tides, 1984. Mixed media. 30 x 40 in. (76 x 101.5 cm.).
Nancy Youdelman, Silent Tower, 2019. Cast iron plant stand, kitchen utensils, pearl necklaces, dried lilies, wire, waxed cord and encaustic. 41.5 x 11 x 12 inches (105.5 x 28 x 30.5 cm).
Janis Miltenberger, A Room For Our Wonder, 2012. Borosilicate glass, oil paints, silvering. 63 x 22 x 13 inches (160 x 56 x 33 cm).
Catalina Ouyang, wronging wrongs, 2019. Stone, pigment, copper, silicone, Chinese softshell turtle carapace. 4 x 3½ x 1½ in. (10 x 9 x 4 cm).
Catalina Ouyang, font III, 2020. Soapstone, ammonite fossil, steel, kombucha mother, horse hair, glue, white vinegar, raw egg. 5 x 14 x 5 in. (12.5 x 35.5 x 12.5 cm).
Evelyn Statsinger, Untitled, 1982. Mixed media. 10.5 x 23 inches (26.5 x 58.5 cm.).
Evelyn Statsinger, Encounters, 1984. Mixed media and collage. 14.75 x 28.5 inches (37.5 x 72.5 cm.).
Max Hooper Schneider, DIALECTRIX: DIVISION APTERONOTUS (JESUS SAVES), 2020. Glass aquarium, live freshwater ecosystem, Black Ghost Knifefish (Aperonotus albifrons), neon sign, custom amplifier, LED lightbox, plumbed base. 80 x 96 x 22 inches (203 x 244 x 56 cm).
Rindon Johnson, 2018. They are running together because they sink up together, it feels like they are running slower but they are actually running faster, they are running faster together. Furniture leather, black ebonizing dye. 62 x 54 in.(157.5 x 137 cm)
Kay Hofmann, Isla Mujeres, c. late 1990s. Hand carved alabaster. 11 x 23 x 13 inches (28 x 58.5 x 33 cm).
Kay Hofmann, Inside the Coil, 2005. Hand carved Colorado beige alabaster. 22 x 9 x 12 inches (56 x 23 x 30.5 cm).
Diane Severin Nguyen, Polymer Luck, 2019. LightJet C-print, aluminum frame. Edition of 3. 15 x 10 inches (38 x 25.5 cm).
Diane Severin Nguyen, New Victimhood, 2019. LightJet C-print, aluminum frame. Edition of 3. 15 x 10 inches (38 x 25.5 cm).
Diane Severin Nguyen, Breathing Bag, 2019. LightJet C-print, aluminum frame. Edition 3. 15 x 10 inches (38 x 25.5 cm).
Diane Severin Nguyen, Gorgeous Inheritor, 2019, LightJet C-print, aluminum frame. Edition of 3. 15 x 22.5 inches (38 x 57 cm).
Jessie Homer French, Pastoral, 1992. Oil on plywood. 20 x 26 inches (51 x 66 cm).
Becca Mann, Black Lionfish, 2020. Oil and flashe on panel. 20 x 16 inches (51 x 40.5 cm).
Becca Mann, California Scorpionfish, 2020. Oil and flashe on wood. 20 x 16 inches (51 x 40.5 cm).
Hugh Hayden, NIMBY, 2020. Flocking and milk paint on sculpted black locust with hardware. 44 x 48 x 48 inches (112 x 122 x 122 cm).
Ann Craven, Moon, 9-1-06 #1, 2006. Oil on canvas. 24 x 18 inches (61 x 45.5 cm).
Ann Craven, Moon, 9-1-06 #2, 2006. Oil on canvas. 24 x 18 inches (61 x 45.5 cm).
Ann Craven, Moon, 9-1-06 #3, 2006. Oil on canvas. 24 x 18 inches (61 x 45.5 cm).
Left: Janis Miltenberger, Gold Tinged Hope, 2008. Borosilicate glass, oil paints, prismacolor pencils with stainless steel and cement base. 64 x 13 x 21 inches (162.5 x 33 x 53.5 cm)