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Materia Medica: Curated by Kelly Akashi, 2245 E Washington Blvd., Los Angeles,

July 22 - September 4, 2020
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Materia Medica: Curated by Kelly Akashi

Past exhibition
July 22 - September 4, 2020 2245 E Washington Blvd., Los Angeles
  • Press Release
  • Installation Views
  • Works
  • Press
Press Release
Nancy Youdelman Yesterday Today and Tomorrow (Pearl Tree), 2019 Plant material, pearl necklaces, wire, waxed cord and encaustic 47 x 42 x 9 inches 119.5 x 106.5 x 23 cm
Nancy Youdelman
Yesterday Today and Tomorrow (Pearl Tree), 2019
Plant material, pearl necklaces, wire, waxed cord and encaustic
47 x 42 x 9 inches
119.5 x 106.5 x 23 cm

Ann Craven
Becca Mann
Candice Lin
Catalina Ouyang
Diane Severin Nguyen
Evelyn Statsinger
Hugh Hayden
Janis Miltenberger
Jessie Homer French
Kay Hofmann
Max Hooper Schneider
Nancy Youdelman
Rindon Johnson

To work from one’s own history. To create it from the earth.

Their evolution was spurred by conflict with nature. Their Order, systematic protection of those who were of their Order, threw them into constant negotiation with the natural world. There was control, consumption, mimicry, integration, sometimes violent conflict. The question was cyclical: could humans bring nature into their community, fully grasp its agency, offer the respect that the world called for? In fleeting glimpses, their illusory authority became exposed. 

To permit change to another body. To implicate oneself in the ability to exercise that change.
To record nature’s subjugation to human needs. 
To foretell the co-opting of all life in service to structures of power.

We watched them and witnessed their world before the change. They were infinitely adaptable, aggressive, versatile, prolific, and ready to travel. As they took over the planet completely we watched it split in two. While many went to war, some sought empathy, understanding, integration. We recorded them all as we waited for the inevitable. 

To be targeted. To be venomous. To defend against invasion or attack. 
To combat comfort and complacency. To inflame. To agitate because one can not settle or rest.

We met to determine whether they could be Seen. Ultimately our debates came down to two questions: 

What does nature own? 

What will be inherited when humans are gone?

To resist an illusion of stability by enveloping nature.
To infuse and ingest and in digestion, transformation.
To inspect, and flatten, and unite.

We saw pearls accumulated for human ornamentation, bound with plant matter. Land owned by the world, destroyed for civilization and electrified for entertainment. Latticed vines of glass alongside polished fleshy stone. Micro and macro. Spines, thorns, shells, and scales. From the eyes of a fruit fly we witnessed palm-sized aurora borealis. Gastropods and bacteria. The future in the stratified and fossilized past. We saw heaped material and watched it cohere into a body.

To balance veneration of figure and nature.
To become one with nature, to bind with it, to emote from within it.

To push a luminous object beyond knowing and into pure sensation.
To watch a thing change as it chronicles the change in you. 

We witnessed offerings, Materia Medica. Each came with a proposition—for empathy, for defense, for action. Each like a knock on a door that we could not answer.

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Installation Views
Open a larger version of the following image in a popup: Ghebaly Materiamedia B
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Works
  • Kay Hofmann, Bound Round, 1982
    Kay Hofmann, Bound Round, 1982
  • Candice Lin, Untitled (Abortifacient Flower), 2016
    Candice Lin, Untitled (Abortifacient Flower), 2016
  • Candice Lin, Minoritarian Medicine, 2020
    Candice Lin, Minoritarian Medicine, 2020
  • Nancy Youdelman, Silent Tower, 2019
    Nancy Youdelman, Silent Tower, 2019
  • Evelyn Statsinger, High Tides, 1984
    Evelyn Statsinger, High Tides, 1984
  • Janis Miltenberger, A Room For Our Wonder, 2012
    Janis Miltenberger, A Room For Our Wonder, 2012
  • Ann Craven, Moon, 9-1-06 #1, 2006
    Ann Craven, Moon, 9-1-06 #1, 2006
  • Catalina Ouyang, wronging wrongs, 2019
    Catalina Ouyang, wronging wrongs, 2019
  • Kay Hofmann, Fond Memories, c. 1990s
    Kay Hofmann, Fond Memories, c. 1990s
  • Rindon Johnson, They are running together because they sink up together, it feels like they are running slower but they are actually running faster, they are running faster together, 2018
    Rindon Johnson, They are running together because they sink up together, it feels like they are running slower but they are actually running faster, they are running faster together, 2018
  • Catalina Ouyang, font III, 2020
    Catalina Ouyang, font III, 2020
  • Evelyn Statsinger, Untitled, 1982
    Evelyn Statsinger, Untitled, 1982
  • Max Hooper Schneider, DIALECTRIX: DIVISION APTERONOTUS (JESUS SAVES), 2020
    Max Hooper Schneider, DIALECTRIX: DIVISION APTERONOTUS (JESUS SAVES), 2020
  • Evelyn Statsinger, Encounters, 1984
    Evelyn Statsinger, Encounters, 1984
  • Kay Hofmann, Isla Mujeres, c. late 1990s
    Kay Hofmann, Isla Mujeres, c. late 1990s
  • Kay Hofmann, Inside the Coil, 2005
    Kay Hofmann, Inside the Coil, 2005
  • Nancy Youdelman, Yesterday Today and Tomorrow (Pearl Tree), 2019
    Nancy Youdelman, Yesterday Today and Tomorrow (Pearl Tree), 2019
  • Ann Craven, Moon, 9-1-06 #2, 2006
    Ann Craven, Moon, 9-1-06 #2, 2006
  • Diane Severin Nguyen, Polymer Luck, 2019
    Diane Severin Nguyen, Polymer Luck, 2019
  • Diane Severin Nguyen, New Victimhood, 2019
    Diane Severin Nguyen, New Victimhood, 2019
  • Diane Severin Nguyen, Breathing Bag, 2019
    Diane Severin Nguyen, Breathing Bag, 2019
  • Diane Severin Nguyen, Gorgeous Inheritor, 2019
    Diane Severin Nguyen, Gorgeous Inheritor, 2019
  • Jessie Homer French, Pastoral, 1992
    Jessie Homer French, Pastoral, 1992
  • Hugh Hayden, NIMBY, 2020
    Hugh Hayden, NIMBY, 2020
  • Ann Craven, Moon, 9-1-06 #3, 2006
    Ann Craven, Moon, 9-1-06 #3, 2006
  • Janis Miltenberger, Gold Tinged Hope, 2008
    Janis Miltenberger, Gold Tinged Hope, 2008
  • Becca Mann, Black Lionfish, 2020
    Becca Mann, Black Lionfish, 2020
  • Becca Mann, California Scorpionfish, 2020
    Becca Mann, California Scorpionfish, 2020
  • Nancy Youdelman, Uprooted, 2019
    Nancy Youdelman, Uprooted, 2019
  • Nancy Youdelman, Oak Vessel, 2008
    Nancy Youdelman, Oak Vessel, 2008
Press
  • Materia Medica

    Christopher Michno, Artillery, September 8, 2020
  • 3 Los Angeles Exhibitions Exploring the Nature of Things

    Paul Laster, Art & Object, August 28, 2020
  • Essential Arts: The art of women’s rights, the staging of the DNC

    Carolina A. Miranda, The Los Angeles Times, August 22, 2020
  • Art Insider: A Group Show at François Ghebaly Looks at the Humans’ Relationships with Nature

    Lindsay Preston Zappas, KCRW, July 28, 2020
  • Arts at Home (Wednesday is the New Thursday): July 22-25

    Shana Nys Dambrot, LA Weekly, July 22, 2020

Related artists

  • Max Hooper Schneider

    Max Hooper Schneider

  • Candice Lin

    Candice Lin

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