Joeun Kim Aatchim, Bail Mother Melancholy (Sunday Garden Given Forgiven), 2021. Mineral pigment suspended in glue on silk, colored pencil, conté on paper, brass, wood, waxed cotton, leather, blackened steel, found wood cross painted with India ink, sterling silver. Diptych, each: 36 x 24 inches (91.5 x 61 cm.)
Joeun Kim Aatchim, Miss Sanity & I, On/Off the Cliff (To find a way to throw them away) over Sappho Off the Cliff Rubbing, 2018 - 2022. Mineral pigment, colored pencil, casein, wax, and whitegold leaf on silk mounted on refined pine soot ink treated wood, pastel on mulberry paper mounted on canvas. 19.75 x 26 inches (50 x 66 cm)
Such Person, 2022. Earth pigment, refined pine soot ink on silk mounted on soot ink treated wood, canvas. Softground copper plate intaglio on cotton rag mounted on Dura-Lar, copper nails. 14 x 16 inches
Another New Song: My Inability to Finish Writing My Extraordinary Ability to Continue Writing, 2019 - 2022. Mineral pigment on silk, glass, blackened silver solder, clear vellum. 4.25 x 3.25 x 3 inches (11 x 8.5 x 7.5 cm)
My Intermittent Prayer in Adulthood was only an Embarrassing Plagiarism of My Childhood's. Then Again, I Rely on My Mother’s Secret Speaking in Tongues that No one Knows what it Meant Even Herself, 2022. Mineral and earth pigment, colored pencil, casein, wax on silk mounted on refined pine soot ink treated wood. 11 x 17 inches (28 x 43 cm)
Homed (Unwilling & Never Not Awkward), 2021 - 2022. Natural mineral pigment suspended in glue on silk, colored pencil on paper, brass, beach wood, waxed cotton, leather, blackened steel, book clothes, sterling silver. Diptych, each: 36 x 24 inches (91.5 x 61 cm)
