Candice Lin, Xternesta, 2022. Installation view, The 59th Venice Biennale: The Milk of Dreams, 2022, Venice, Italy.
Candice Lin, Xternesta, 2o22. Installation view, The 59th Venice Biennale: The Milk of Dreams, 2022, Venice, Italy.
Candice Lin, Xternesta, 2o22. Installation view, The 59th Venice Biennale: The Milk of Dreams, 2022, Venice, Italy.
Candice Lin, Xternesta, 2o22. Installation view, The 59th Venice Biennale: The Milk of Dreams, 2022, Venice, Italy.
![Lin, Pueraria montana, 2022 (CL 22.008)](https://ghebaly.com/wp-content/uploads/2016/10/Lin-Pueraria-montana-2022-CL-22.008.jpg)
![Lin, Pueraria montana, 2022 (CL 22.008)](https://ghebaly.com/wp-content/uploads/2016/10/Lin-Pueraria-montana-2022-CL-22.008.jpg)
Candice Lin, Pueraria montana, 2022. Indigo, turmeric, and pencil on cotton rag blotting paper with plant remnants, 11.75 x 9.5 inches (30 x 24 cm.)
![Lin, Strobilanthes cusia, 2022 (CL 22.002)](https://ghebaly.com/wp-content/uploads/2016/10/Lin-Strobilanthes-cusia-2022-CL-22.002.jpg)
![Lin, Strobilanthes cusia, 2022 (CL 22.002)](https://ghebaly.com/wp-content/uploads/2016/10/Lin-Strobilanthes-cusia-2022-CL-22.002.jpg)
Candice Lin, Strobilanthes cusia, 2022. Parasitic wasp and oak gall ink and turmeric on cotton rag blotting paper with plant remnants, 11.75 x 9.5 inches (30 x 24 cm.)
![Lin, Papaver somniferum, 2022 (CL 22.006)](https://ghebaly.com/wp-content/uploads/2016/10/Lin-Papaver-somniferum-2022-CL-22.006.jpg)
![Lin, Papaver somniferum, 2022 (CL 22.006)](https://ghebaly.com/wp-content/uploads/2016/10/Lin-Papaver-somniferum-2022-CL-22.006.jpg)
Candice Lin, Papaver somniferum, 2022. Parasitic wasp and oak gall ink, madder, turmeric, indigo, and soot black on cotton rag blotting paper with plant remnants, 11.75 x 9.5 inches (30 x 24 cm.)
Candice Lin, Xternesta, 2o22. Installation view, The 59th Venice Biennale: The Milk of Dreams, 2022, Venice, Italy.
![Candice Lin_Venice Biennial_04,22_0042](https://ghebaly.com/wp-content/uploads/2016/10/Candice-Lin_Venice-Biennial_0422_0042.jpg)
![Candice Lin_Venice Biennial_04,22_0042](https://ghebaly.com/wp-content/uploads/2016/10/Candice-Lin_Venice-Biennial_0422_0042.jpg)
Candice Lin, Xternesta, 2o22. Installation view, The 59th Venice Biennale: The Milk of Dreams, 2022, Venice, Italy.
![Lin, Xternesta, 2022 (CL 22.001) J](https://ghebaly.com/wp-content/uploads/2016/10/Lin-Xternesta-2022-CL-22.001-J.jpg)
![Lin, Xternesta, 2022 (CL 22.001) J](https://ghebaly.com/wp-content/uploads/2016/10/Lin-Xternesta-2022-CL-22.001-J.jpg)
Candice Lin, Xternesta, 2o22. Installation view, The 59th Venice Biennale: The Milk of Dreams, 2022, Venice, Italy.
![Ausstellung „Barrierefreiheit“ in der Kunsthalle Osnabrück](https://ghebaly.com/wp-content/uploads/2016/10/211105_barrierefreiheit_II_fg30-scaled.jpg)
![Ausstellung „Barrierefreiheit“ in der Kunsthalle Osnabrück](https://ghebaly.com/wp-content/uploads/2016/10/211105_barrierefreiheit_II_fg30-scaled.jpg)
Candice Lin, The Gliterring Cloud, 2021. Installation view, Kunsthalle Osnabrück, Osnabrück, Germany.
![barrierefreiheit_open_nov 2021_print_8](https://ghebaly.com/wp-content/uploads/2016/10/barrierefreiheit_open_nov-2021_print_8.jpg)
![barrierefreiheit_open_nov 2021_print_8](https://ghebaly.com/wp-content/uploads/2016/10/barrierefreiheit_open_nov-2021_print_8.jpg)
Candice Lin, The Gliterring Cloud, 2021. Installation view, Kunsthalle Osnabrück, Osnabrück, Germany.
![barrierefreiheit_open_nov 2021_print_77](https://ghebaly.com/wp-content/uploads/2016/10/barrierefreiheit_open_nov-2021_print_77.jpg)
![barrierefreiheit_open_nov 2021_print_77](https://ghebaly.com/wp-content/uploads/2016/10/barrierefreiheit_open_nov-2021_print_77.jpg)
Candice Lin, The Gliterring Cloud, 2021. Installation view, Kunsthalle Osnabrück, Osnabrück, Germany.
Candice Lin, Seeping, Rotting, Resting, Weeping, 2021. Installation view, Walker Art Center, Minneapolis, USA.
Candice Lin, Seeping, Rotting, Resting, Weeping, 2021. Installation view, Walker Art Center, Minneapolis, USA.
Candice Lin, Seeping, Rotting, Resting, Weeping, 2021. Installation view, Walker Art Center, Minneapolis, USA.
Candice Lin, Sorting the Rats, 2020. Oil paint and lard on wood panel, 18 x 24 inches (45.5 x 61 cm)
Candice Lin, Coyote House (Red Room), 2020. Encaustic and lard on linen, 14 x 18 inches (35.5 x 45.5 cm)
![Lin, Witness (Yellow Version), 2019 (CL 19.030) A](https://ghebaly.com/wp-content/uploads/2019/05/Lin-Witness-Yellow-Version-2019-CL-19.030-A.jpg)
![Lin, Witness (Yellow Version), 2019 (CL 19.030) A](https://ghebaly.com/wp-content/uploads/2019/05/Lin-Witness-Yellow-Version-2019-CL-19.030-A.jpg)
Candice Lin, "Meaningless Squiggles" 2019. Installation view, François Ghebaly, Los Angeles.
Candice Lin, "Candelilla, Coatlicue, and the Breathing Machine" 2019. Installation view, Ballroom Marfa, Marfa, Texas.
Candice Lin, "Candelilla, Coatlicue, and the Breathing Machine" 2019. Installation view, Ballroom Marfa, Marfa, Texas.
![S5](https://ghebaly.com/wp-content/uploads/2016/10/S5.jpg)
![S5](https://ghebaly.com/wp-content/uploads/2016/10/S5.jpg)
Candice Lin, "Candelilla, Coatlicue, and the Breathing Machine" 2019. Installation view, Ballroom Marfa, Marfa, Texas.
Candice Lin, "The inscrutible speech of objects" 2019. Installation view, Weingart Gallery, Occidental College, Los Angeles.
Candice Lin, "The inscrutible speech of objects" 2019. Installation view, Weingart Gallery, Occidental College, Los Angeles.
![Lin, The slow erosion of a hard white body, 2018 (CL 18.006) B](https://ghebaly.com/wp-content/uploads/2016/10/Lin-The-slow-erosion-of-a-hard-white-body-2018-CL-18.006-B.jpg)
![Lin, The slow erosion of a hard white body, 2018 (CL 18.006) B](https://ghebaly.com/wp-content/uploads/2016/10/Lin-The-slow-erosion-of-a-hard-white-body-2018-CL-18.006-B.jpg)
Candice Lin, "The inscrutible speech of objects" 2019. Installation view, Weingart Gallery, Occidental College, Los Angeles.
![Lin, On Being Human (Chinese Room) (CL 18.012) E](https://ghebaly.com/wp-content/uploads/2016/10/Lin-On-Being-Human-Chinese-Room-CL-18.012-E.jpg)
![Lin, On Being Human (Chinese Room) (CL 18.012) E](https://ghebaly.com/wp-content/uploads/2016/10/Lin-On-Being-Human-Chinese-Room-CL-18.012-E.jpg)
Candice Lin, "The inscrutible speech of objects" 2019. Installation view, Weingart Gallery, Occidental College, Los Angeles.
![Lin, On Being Human (Chinese Room) (CL 18.012) C](https://ghebaly.com/wp-content/uploads/2016/10/Lin-On-Being-Human-Chinese-Room-CL-18.012-C.jpg)
![Lin, On Being Human (Chinese Room) (CL 18.012) C](https://ghebaly.com/wp-content/uploads/2016/10/Lin-On-Being-Human-Chinese-Room-CL-18.012-C.jpg)
Candice Lin, "The inscrutible speech of objects" 2019. Installation view, Weingart Gallery, Occidental College, Los Angeles.
Candice Lin, "The inscrutible speech of objects" 2019. Installation view, Weingart Gallery, Occidental College, Los Angeles.
Candice Lin, "The Worm Husband (Our Father)", 2016. Silkworms, tank, glazed porcelain, plaster and heating mechanism, miscellaneous plant material. 24 x 12.2 x 59 inches. Gasworks, London.
Candice Lin, "You are a parasite" Detail, 2015. Fiberglass and polyester resin, acrylic paint, papier-maché, foam, cochineal-dyed sheepskins and acrylic faux sheepskins, cordyceps tea and other offerings. 91 x 134 x 139 inches. Ghebaly Gallery, Los Angeles.
Candice Lin, "5 Kingdoms (book)", 2015. Archival digital pigment print on rag paper, linen cover, handmade binding. 12.25 x 48 inches. Ghebaly Gallery, Los Angeles.
Candice Lin, "Recipe for Spontaneous Generation: Baby Mice", 2015. Fabric, dried wheat, baby mice, alcohol, glass jar, airlock, copper pipe. 26 x 4 x 4 inches. Ghebaly Gallery, Los Angeles.
Candice Lin, "Coevolution by Traumatic Insemination: Bedbug", 2015. Stainless steel, kangaroo lace. 58.5 x 36 x 1.75 inches. Ghebaly Gallery, Los Angeles.
Candice Lin, "Female Penis / Beast of Burden", 2015. Graphite, archival pigment printed images, dried plant, silkscreened text on paper. 33 x 25.75 x 2.75 inches. Ghebaly Gallery, Los Angeles.
Candice Lin, "Meditations on Last Philosophy (in which the possibilities of a coevolutionary, spontaneously generated, parasitic future are demonstrated)", 2015. Alien hologram, gold, copper, circadian clocks, wood, plant material, sugarpaste walnuts with Jesus' Vagina (a miniature book), audio text. Dimensions variable. Ghebaly Gallery, Los Angeles.
Candice Lin, "It Makes the Patient See Pictures", 2012. Installation view, Ghebaly Gallery, Los Angeles.
Candice Lin, "Displaced Pig (Cornfield)" Detail, 2012. tar, fabric, pvc pipe, metal, polymer clay, hair. 72 x 22 x 24 inches each. Ghebaly Gallery, Los Angeles.
Candice Lin, "The Lingering Smell", 2012. Mixed media sculpture with lighting hardware. 68 x 33 x 12 inches. Ghebaly Gallery, Los Angeles.
Candice Lin, "Exploited Painting", 2012. Polymer clay, epoxy, Haitian landscape painting, tubing, pump, punch bowl, Caribbean punch. Dimensions variable. Ghebaly Gallery, Los Angeles.
Candice Lin, "Bacium sub cauda (kiss under the tail)", 2012. Tar, papier mâché, plastic, polymer clay, wire, misc. audio/video equipment and projector, stop motion animation and video. Ghebaly Gallery, Los Angeles.
Candice Lin, "It Makes the Patient See Pictures", 2012. Installation view, Ghebaly Gallery, Los Angeles.