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Christine Sun Kim Writes in All Caps
E. Alex Jung, Ssence, February 7, 2025 -
‘Christine Sun Kim: All Day All Night’ At The Whitney Will Transform Your Perception Of The Deaf Community
Natasha Gural, Forbes, February 6, 2025 -
‘Silence is a very obscure sound’: Christine Sun Kim on her sound art
Veronica Esposito, The Guardian, February 6, 2025 -
At the Whitney, Christine Sun Kim’s Advocacy Is Also Her Art
Emily Watlington, Art in America, February 6, 2025 -
What to See in N.Y.C. Galleries in January
Jillian Steinhauer and Walker Mimms, The New York Times, January 16, 2025 -
GAIN AN EDGE: Jeffrey Meris – a bright star for Bahamian arts
The Tribune, December 16, 2024 -
Rindon Johnson’s Odyssey Across the Pacific
Christopher Whitfield, Hyperallergic, December 4, 2024 -
Artist Jeffrey Meris’s Latest Sculpture? A Morse Code Message From New Orleans to Nassau
Danielle Jackson, Cultured, November 21, 2024 -
Painter Brooklin Soumahoro’s Artistic Philosophy: ‘No Bullshit, Straight to the Core’
Sarah Nechamkin, Cultured, November 21, 2024 -
Meet the artist behind Art Basel’s newest series of editions
Oliver Basciano, Art Basel, November 20, 2024 -
Artist Meriem Bennani Brings Dancing Flip-Flops, Lesbian Yearning, and a Dose of Tragicomic Swag to Milan
Ella Martin-Gachot, Cultured, October 21, 2024 -
An Abstract Painter’s Disciplined Grace
Alex Paik, Hyperallergic, October 7, 2024 -
Roksana Pirouzmand’s Terracotta Topographies
Hindley Wang, ArtReview, September 24, 2024 -
Don't Miss These 10 Gallery Shows Sweeping Los Angeles This Fall
Zach Bernsten, Cultured, September 8, 2024 -
Max Hooper Schneider: The Los Angeles artist’s mythic, bio-poetic sculptures take over UCCA Dune, China, with "Carnival of Gestation"
Hannah Bhuiya, Artforum, August 29, 2024 -
The Cinematic Origins of Cindy Ji Hye Kim’s Ghostly Paintings on Silk
Stephanie Sporn, Artnet, June 12, 2024 -
Notions of Slippage
Evan Pricco, Juxtapoz, June 11, 2024 -
Oh My Flesh Lump. ‘The Animal Husband’ by Candice Lin at Talbot Rice Gallery
Elvira García, Afterall, June 5, 2024 -
Maia Ruth Lee’s Art of Movement and Memory
Sigourney Schultz, Hyperallergic, June 5, 2024 -
Press Style Guide
Que Haces Vos? Yo PintoAuthor, Publication, June 1, 2024 -
Farah Al Qasimi Takes Futurism Into the Past
Stephanie Bailey, ArtReview, May 28, 2024 -
Candice Lin: The Animal Husband
Helena Vilalta, Burlington Contemporay, May 24, 2024 -
Matt Bollinger's 'Halftime' Show Probes Deep Loneliness
Keith Estiler, Hypebeast, May 23, 2024 -
Kathleen Ryan, Hamburg review — a dreamworld of bowling balls and bejewelled fruit
Kristina Foster, Financial Times, May 22, 2024 -
Review: Trulee Hall at François Ghebaly
Andrew Berardini, Artforum, May 1, 2024 -
Review: Paulo Nimer Pjota at Mendes Wood DM
Darren Jones, Artforum, May 1, 2024 -
Works in Progress: Sharif Farrag
Leah Rom, CARLA, April 16, 2024 -
Inside Maia Ruth Lee’s Solo Exhibition at Tina Kim Gallery
Kristen Tauer, WWD, April 12, 2024 -
Elizabeth Glaessner Dives Deep Into Water and Creates "Now you're a lake"
Evan Pricco, Juxtapoz, April 4, 2024 -
Here Are 11 Essential Gallery Exhibitions You Need To See This Month
Paloma Baygual, Cultured, April 1, 2024 -
10 Shows to See in Los Angeles This April
Matt Stromberg, Hyperallergic, March 28, 2024 -
A Flourish of Miniatures Thrive in Max Hooper Schneider’s Uncanny Post-Human Dioramas
Grace Ebert, Colossal, March 22, 2024 -
8 Breakout Artists of the 2024 Whitney Biennial
Annabel Keenan, Artsy, March 14, 2024 -
Jacqueline Kiyomi Gork by Byron Westbrook
Byron Westbrook, BOMB Magazine, March 13, 2024 -
Ann Leda Shapiro and Trulee Hall at François Ghebaly
Katy Donoghue, Whitewall, March 7, 2024 -
Frieze Artist Project Says Art Fairs Are All a ‘Rat Race’
Maximilíano Durón, ARTnews, March 1, 2024 -
Jacqueline Kiyomi Gork Dials Down The Noise
Cassie Packard, Frieze, March 1, 2024 -
How Painter Sayre Gomez Captured the Polarized Heart of Los Angeles
Isimeme ‘Easy’ Otabor, GQ, February 29, 2024 -
The Best Shows to See During Frieze Los Angeles
Claudia Ross, Frieze, February 29, 2024 -
Paulo Nimer Pjota on Evoking Myth and Mysticism
Gabriella Angeleti, Elephant, February 27, 2024 -
Los Angeles Artist Sayre Gomez On the Pull of the City’s Forgotten Corners
Katie White, Artnet, February 27, 2024 -
If You’re in Los Angeles for Frieze, Don’t Miss These 10 Gallery Exhibitions
Paloma Baygual, Cultured, February 26, 2024 -
Artist Sayre Gomez: ‘For me, it’s always a conversation between painting and photography
Janelle Zara, Financial Times, February 23, 2024 -
When a Job Becomes a Literal Hell
Beatrice Loayza, The New York Times, February 23, 2024 -
Sayre Gomez’s Hyperrealistic Paintings Capture the Grit of Urban L.A.
Maxwell Rabb, Artsy, February 19, 2024 -
What Memory Holds: A Review of Paulo Nimer Pjota at Mendes Wood DM, New York
Mana Taylor, New City Brasil, February 12, 2024 -
Dala Nasser at The Renaissance Society
Susan Snodgrass, Artforum, February 1, 2024 -
French-Algerian Artist Neil Beloufa Speaks About His Fear And Fascination With Technology
Y-Jean Mun-Delsalle, Forbes, February 1, 2024 -
Ludovic Nkoth Searches for Home and Harmony After a Year-Long Residency in Paris
Katy Donoghue, Whitewall, January 31, 2024 -
How a Doctor’s Unsolicited Advice About Artist Em Kettner’s Disability Inspired Her Latest Exhibition
Sarah Faux, Cultured, January 30, 2024 -
Ludovic Nkoth’s vibrant paintings reflect on migration
Ugonna-Ora Owoh, Wallpaper, January 21, 2024 -
Ludovic Nkoth shares his creative process behind this year’s Dior Lady Art project
Madeline Safavi, Vogue Singapore, December 20, 2023 -
Critic's Pick: Joeun Kim Aatchim at François Ghebaly
Jessica Simmons-Reid, Artforum, December 14, 2023 -
Pick of the Week: Sascha Braunig
Estelle Araya, Artillery, December 6, 2023 -
Mike Kuchar
Oliver Maxwell Kupper, Autre Magazine, December 1, 2023 -
Jessie Makinson’s Kaleidoscopic Paintings Are Brimming With Art Historical Footnotes
Katie White, Artnet, November 17, 2023 -
Max Hooper Schneider: Twilight at the Earth’s Crust
Eddy Frankel, Time Out, November 2, 2023 -
Dala Nasser: Adonis River
Elliot Josephine Leila Reichert, Brooklyn Rail, November 1, 2023 -
Hindley Wang on Candice Lin
Hindley Wang, The Brooklyn Rail, November 1, 2023 -
In ‘Blow Out,’ Artist Genesis Belanger Lures the Uncanny and Anxious Out of Everyday Objects
Grace Ebert, Colossal, October 28, 2023 -
Candice Lin’s “Lithium Sex Demons in the Factory”
Jonathan Griffin, e-flux, October 27, 2023 -
Ludovic Nkoth’s Fleeting Feelings of Home
Through his practice, Cameroon-born Ludovic Nkoth continuously grasps to connect threads of home as it remains a shape-shifting and ever-moving target.Sigourney Schultz, Hyperallergic, October 24, 2023 -
Farah Al Qasimi's Journey of Family and Migration
Allie Biswas, Frieze, October 16, 2023 -
On View: A Painter Capturing Motion on Canvas
Shirley Ngozi Nwangwa, The New York Times Style Magazine, October 13, 2023 -
At His Paris Residency, Art-World Wunderkind Ludovic Nkoth Is Transforming ‘Moments of Being’ Into Moving Figurative Portraits
Katie White, ARTnews, October 6, 2023 -
Ludovic Nkoth’s new exhibition takes you from Cameroon to Paris in search of ‘home’
Steven Vargas, The Los Angeles Times, October 4, 2023 -
Ludovic Nkoth and Moses Sumney on Faith, Fulfillment, and Finding Home
Moses Sumney, Interview Magazine, October 2, 2023 -
Artist Ludovic Nkoth takes on Le Corbusier
Liam Freeman, Financial Times, September 29, 2023 -
Candice Lin Summons Lithium Factory Sex Demons in New York
Michael Irwin, Ocula, September 21, 2023 -
Patricia Iglesias | Muses of Now
Apiece Apart, September 1, 2023 -
Review: Max Hooper Schneider at François Ghebaly
Annabel Osberg, Artforum, September 1, 2023 -
Who opened that door? Modern poltergeists – in pictures
The Guardian, August 10, 2023 -
PUBLISHER’S EYE: “Strong Winds Ahead”
Alex Garner, Artillery, August 3, 2023 -
What is François Ghebaly’s “Strong Winds Ahead” trying to tell us?
Shreya Ajmani, MASH India, July 29, 2023 -
This Week In Culture: An Exploration of Malapropisms and Growing Up
Cultured, July 17, 2023 -
How the Painter Ivy Haldeman Critiques Consumerism With Hot Dogs
Genesis Belanger, Interview, July 3, 2023 -
A Portfolio: Farah Atassi
Juxtapoz, June 28, 2023 -
Deus ex "Machina": New Works by Jaime Muñoz
Evan Pricco, Juxtapoz, June 19, 2023 -
Jeffrey Meris: Care as a Creative Gesture
June Kitahara, Studio Magazine, June 16, 2023 -
An Interdisciplinary Friendship: Rajesh Parameswaran and Joeun Kim Aatchim in Conversation
Rajesh Parameswaran and Joeun Kim Aatchim, Literary Hub, June 16, 2023 -
Patricia Iglesias Peco Paints Florals Bursting with Life, not Stillness
Whitewall, June 1, 2023 -
Artist Maia Ruth Lee on Finding Meaning in Rootlessness
Shannon Lee, Asian American Arts Alliance, May 30, 2023 -
In Her Light-Drenched Waterfront Studio, Ivy Haldeman Paints Toward an ‘Empathetic Pang,’ Pausing for Noodle Breaks
Katie White, Artnet, May 30, 2023 -
What’s Broken Heals Better
Jennifer Remenchik, Hyperallergic, May 29, 2023 -
Max Hooper Schneider at François Ghebaly
Vanessa Holyoak, CARLA, May 25, 2023 -
How Meriem Bennani became one of the most fascinating artists of her generation
Martha Kirszenbaum, Numéro, May 18, 2023 -
Artist Brooklin Soumahoro Wants To Be as Flawless as a Machine
Zoe Chait, Cultured, May 11, 2023 -
Melted action figures, mushrooms, rotting French fries: Inside Max Hooper Schneider’s ‘feral’ art
Leah Ollman, The Los Angeles Times, May 5, 2023 -
Maia Ruth Lee Transforms the Materials of Migration
Annabel Keenan, Hyperallergic, May 1, 2023 -
Matt Bollinger, Painter of the Forgotten
John Yau, Hyperallergic, April 26, 2023 -
Matt Bollinger's Narrative Fiction on Full Display in "Station"
Evan Pricco, Juxtapoz, April 21, 2023 -
A Tension in Paint Befitting Our Times
John Yau , Hyperallegic, April 19, 2023 -
Candice Lin’s Infected Mythologies
Rachel M. Tang, Art Review, April 13, 2023 -
The Back Room of This Artist’s Studio Is Called the Abattoir
Travis Diehl, The New York Times Style Magazine, April 13, 2023 -
Glitzy Rotting Fruit and Rusted Automobiles by Kathleen Ryan Consider the Tensions of American Consumerism
Grace Ebert, Colossal, March 6, 2023 -
Em Kettner: Sickbeds, stragglers, and supplicants
Bert Stabler, Institutional Model, March 5, 2023 -
Patrick Jackson Puts Ambiguity on the Shelf
Matt Stromberg, Frieze, March 3, 2023 -
Kathlee Ryan Evokes the Seaside in Glittering Series of Moldy Fruit at François Ghebaly gallery
Lea Zeitoun, designboom, March 2, 2023 -
Jacqueline Kiyomi Gork Brings the Experience of Techno Warehouses to the ICA LA
Francesca Aton, ARTnews, February 16, 2023 -
Pick of the Week: Patrick Jackson
Lauren Guilford, Artillery, February 9, 2023 -
Farah Atassi: ‘In painting, you do not make aesthetic choices, but moral ones’
Florence Derieux, Art Basel, January 29, 2023 -
Vanguard Spotlight: Farah Al Qasimi’s Multi-Continental Debut
Harley Wong, Artsy, January 24, 2023 -
Paulo Nimer Pjota & Patricia Iglesias Peco
Lane Barden, Artillery, January 10, 2023 -
Paulo Nimer Pjota & Patricia Iglesias Peco
Lane Barden, Artillery, January 10, 2023 -
Bony Ramirez' "Cayman Tears"
Evan Pricco, Juxtapoz, January 10, 2023 -
Modern Mythology
Muse Magazine, January 6, 2023 -
Artillery 2022 Top Ten
Ezrha Jean Black, Artillery, January 4, 2023 -
Review: Genesis Belanger at Perrotin, Paris
Andrew Berardini, Artforum, January 1, 2023 -
Em Kettner
Chris Murtha, Sculpture Magazine, December 6, 2022 -
Nikita Kadan’s “Victory over the Sun”
Xenia Benivolski, e-flux, December 6, 2022 -
Star Artist Ludovic Nkoth Invites Us Into His Instrument-Filled Studio, Where Friends Gather—and He Spends Long Hermit-Like Hours
Artnet, December 6, 2022 -
The Molecular Accelerator
Nicolas Bourriaud, CURA, December 1, 2022 -
Ludovic Nkoth's Nudes Might Surprise You
Elisha Tawe, Cultured, November 30, 2022 -
The Artsy Vanguard 2022: Cindy Ji Hye Kim
Danielle Wu, Artsy, November 15, 2022 -
Farah Al Qasimi by Elle Pérez
Elle Perez, BOMB Magazine, October 27, 2022 -
Durian on the skin
Cooper Johnson, Art Memo, October 27, 2022 -
‘I Think I’m in an Abstract Relationship With Reality’: Farah Atassi Takes on Modernist Traditions at the Musée Picasso
Devorah Lauter, Artnet, October 20, 2022 -
Joeun Kim Aatchim by Jenny Wu
Jenny Wu, BOMB Magazine, October 17, 2022 -
How Two Talking Lizards Went From Instagram Sensations to a Major Museum
Steph Eckardt, W Magazine, October 6, 2022 -
Critics' Picks: Rindon Johnson
Alec Recinos, Artforum, October 6, 2022 -
The New Social Experiment #661 | Rindon Johnson: Cuvier
Rindon Johnson & Ksenia M. Soboleva, The Brooklyn Rail, October 4, 2022 -
Sayre Gomez: Renaissance Collection
Jake Romm, The Brooklyn Rail, September 1, 2022 -
Candice Lin creates a beast-filled world that riffs on colonialism — and internet cats
Carolina A. Miranda, The Los Angeles Times, August 27, 2022 -
No Word Can Hold the Person. A Conversation with Rindon Johnson
Isabel Parkes, Flash Art, August 24, 2022 -
Farah Al Qasimi: 'So many aspects of the world I photograph are deeply universal'
Stephanie Bailey, Ocula, August 3, 2022 -
Sascha Braunig
Johanna Fateman, The New Yorker, July 19, 2022 -
In Pursuit of Belonging
Catherine Yang, Hyperallergic, July 12, 2022 -
With Sign Language and Sound, an Artist Upends Audience Perceptions
Andrew Russeth, The New York Times, July 9, 2022 -
Sayre Gomez Finds the Meaning Hidden in Plain Sight
Jori Finkel, Cultured, July 7, 2022 -
Artist Elizabeth Glaessner Creates Dreamy, Emotionally-Charged Landscapes
Lucy Rees, Galerie Magazine, July 1, 2022 -
Review: Victoria Gitman at François Ghebaly Downtown
Suzanne Hudson, Artforum, July 1, 2022 -
Joeun Kim Aatchim’s Delicate Drawings on Silk Are Defiantly Sincere
Claire Voon, Artsy, June 28, 2022 -
Practices of Care: Jeffrey Meris Interviewed
Erica N. Cardwell, BOMB Magazine, June 20, 2022 -
PICK OF THE WEEK: Jeffrey Meris
Lauren Guilford, Artillery, June 9, 2022 -
Beam me up, Priti! The sci-fi about teleporting refugees that feels very real
Alex Rayner, The Guardian, May 23, 2022 -
Elizabeth Glaessner: Four legs in a garden at Le Consortium
Joseph Nechvatal, White Hot Magazine, May 22, 2022 -
Exhibitions: Surge, Farah Al Qasimi
Tique, May 14, 2022 -
A Purse with a Fine-Tooth Comb: Victoria Gitman at François Ghebaly
Annabel Osberg, Art in America, May 4, 2022 -
Cindy Ji Hye Kim Mines the Dark Recesses of Memory
Catherine Yang, Hyperallergic, April 24, 2022 -
Painter Victoria Gitman’s Meticulously Depicted Handbags Lure Viewers in With Seductive Surfaces, and Then Turn a Cold Shoulder
Pac Pobric, Artnet, April 21, 2022 -
Purple TV Presents a Studio Visit with Joeun Kim Aatchim in Brooklyn
Johnny Le, Purple, April 21, 2022 -
Consider the Hot Dog: Ivy Haldeman on an American Icon
Sarah Bochicchio, Art Papers, April 20, 2022 -
Pick of the Week: Victoria Gitman
Lauren Guilford, Artillery, April 6, 2022 -
An Artist’s Multi-Species Mythology, Inspired by Her Cat
Sasha Cordingley, Hyperallergic, April 6, 2022 -
Ending a Trilogy, Artist Meriem Bennani Contemplates What Liberation Means for an Imagined Place
Alex Greenberger, ARTnews, April 5, 2022 -
Sascha Braunig: Lay Figure
Osman Can Yerebakan, The Brooklyn Rail, April 5, 2022 -
As the World Reopens, New York's Art Exhibitions Are Turning Inwards
Maria Vogel, Cultured, April 1, 2022 -
Critic's Pick: Joeun Kim Aatchim at Make Room
Annabel Osberg, Artforum, April 1, 2022 -
What to See in N.Y.C Galleries Right Now: Sascha Braunig
Roberta Smith, New York Times Review, March 31, 2022 -
From the Border, the Whitney Biennial Asks What American Art Can Be
Siddhartha Mitter, The New York Times, March 28, 2022 -
In the studio with… Paulo Nimer Pjota
Apollo Magazine, March 28, 2022 -
This Sayre Gomez sculpture is a monument to the worst habits of L.A.’s City Council
Carolina A. Miranda, The Los Angeles Times, March 18, 2022 -
Matt Bollinger The Realist of Fantasy
Evan Pricco, Juxtapoz, March 15, 2022 -
Sayre Gomez' "Halloween City" is a Mastery in Intricacy
Evan Pricco, Juxtapoz, March 15, 2022 -
‘She’s creating her own language’: Christine Sun Kim’s unique sound art
Janelle Zara, The Guardian, March 14, 2022 -
Elizabeth Glaessner
Johanna Fateman, The New Yorker, March 10, 2022 -
Elizabeth Glaessner’s Dreamy Figurative Paintings Evoke Primordial Life
Jess Ross, Artsy, March 9, 2022 -
How Jessie Makinson’s carnivalesque paintings “purposely misunderstand historical imagery”
Olivia Hingley, It's Nice That, March 7, 2022 -
Jacqueline Kiyomi Gork Presents "Solutions to Common Noise Problems"
Shawn Ghassemitari, Hypebeast, March 4, 2022 -
Mis/Communication Highlights Artists Examining the Intersection of Language and Power
Anna Cahn, Hyperallergic, March 3, 2022 -
The Only Math That Interests Me: Channa Horwitz at Lisson Gallery
Priva Ghandi, Whitehot Magazine, March 3, 2022 -
How I became an artist: Christine Sun Kim
Emily McDermott, Art Basel, February 24, 2022 -
Artist Rindon Johnson Demystifies Our Relationship to Architecture
Osman Can Yerebakan, Interior Design Magazine, February 23, 2022 -
Giant Coats + Abstracted Echos: The Sculpture of Jacqueline Kiyomi Gork
David Behringer, Design Milk, February 22, 2022 -
Meriem Bennani will present a new public artwork for the High Line in New York
Flash Art, February 21, 2022 -
The Ceramists Ushering in a New Era of Surrealism
Amanda Fortini, The New York Times, February 16, 2022 -
Antiquity & Standing Paintings: Paulo Nimer Pjota at the Power Station, Dallas
Hannah Rotwein, Glasstire, February 15, 2022 -
Artist Sharif Farrag’s Weird and Wonderful World of Ceramics
Aravin Sandran, GQ Middle East, February 10, 2022 -
Interview: Farah Al Qasimi
Jane Ursula Harris, Foundwork, February 2, 2022 -
United States Artists announces 2022 fellows, including six L.A. area artists
Deborah Vankin, The Los Angles Times, January 26, 2022 -
Review: Jacqueline Kiyomi Gork at Empty Gallery
Ysabelle Cheung, Artforum, January 1, 2022 -
Cassi Namoda’s Spiritual, Authentic Approach to Art
Allyssia Alleyne, Artsy, December 28, 2021 -
Rindon Johnson on the Currency of Not Knowing
Nicholas Nauman, Frieze, December 7, 2021 -
Jeffrey Meris Draws Power From Reclaimed Roofing Materials
Ryan Waddoups, Surface Magazine, December 6, 2021 -
Willa Wasserman: Exposing a Larger Queer History Through Painting
Anni Irish, Observer, December 1, 2021 -
Kelly Akashi's Circle of Life Connects Body to Cosmos
Nicholas Nauman, Ocula, November 17, 2021 -
Review: Matt Bollinger
Gilda Williams, Artforum, September 1, 2021 -
Reviews: Kathleen Ryan at Karma New York
Jennifer Krasinski, Artforum, September 1, 2021 -
Distinct Pleasures: Victoria Gitman Interviewed
Paul Maziar, BOMB Magazine, August 4, 2021 -
Rindon Johnson Ruminates on the Expansiveness of Identity
Danilo Machado, Hyperallergic, July 29, 2021 -
Interview: Rindon Johnson on poetry, identity and imagined futures
Harriet Lloyd-Smith, Wallpaper, July 26, 2021 -
Em Kettner on Sculpting Disability, Dependency, and Court Jesters
Emily Watlington, Art in America, July 16, 2021 -
Collapsing Interior and Exterior: Cindy Ji Hye Kim Interviewed
Paintings that depict the hidden body and mind.Olivia Gauthier, BOMB Magazine, July 15, 2021 -
Rindon Johnson: Law of Large Numbers
Ann C. Collins, The Brooklyn Rail, July 13, 2021 -
June Editor’s Picks
CARLA, June 30, 2021 -
‘The Most Liberatory Thing We’ve Got’: How Artist Rindon Johnson Uses the Power of Language
Emily McDermott, ArtReview, June 29, 2021 -
Critic's Picks: Em Kettner at François Ghebaly
Daniel Gerwin, Artforum, June 26, 2021 -
At El Museo del Barrio Triennial, Five Latinx Painters to Watch
Beatriz Colón, Cultured Magazine, June 17, 2021 -
Bad Fruit, Fertile Ground: Kathleen Ryan at Karma
Matthew Nichols, Art in America, June 16, 2021 -
Your Concise Los Angeles Art Guide for June 2021
Elisa Wouk Almino and Matt Stromberg, Hyperallergic, June 8, 2021 -
GALLERY ROUNDS: Patrizio di Massimo
Emily Babette, Artillery, June 8, 2021 -
Ivy Haldeman: Hot Dogs, Power Suits, and Freudian Slippage
Anni Irish, Observer, May 26, 2021 -
Maia Ruth Lee’s Artworks Pick Up Where Language Falls Short
Kealey Boyd, Hyperallergic, May 19, 2021 -
Artist Meriem Bennani’s Year of Cultural Vertigo
Cat Kron, ArtReview, May 7, 2021 -
In the Studio With Ivy Haldeman, the Painter Who Makes Hot Dogs and Empty Suits Human
Steph Eckardt, W Magazine, May 6, 2021 -
Interview: Full Slap All the Time
Juliana Halpert & Meriem Bennani, X-TRA Quarterly, May 6, 2021 -
Hot Diggity: Why Ivy Haldeman Paints Hot Dogs
Karen Robinovitz, Cultured Magazine, May 5, 2021 -
The Robotic Heart of Freedom
Travis Diehl, Art in America, April 14, 2021 -
Matt Bollinger’s Working-Class Elegy
John Yau, Hyperallergic, April 2, 2021 -
Elizabeth Glaessner Interview
Olivier Zahm, Purple Magazine, March 24, 2021 -
Interview: Painter Jessie Makinson On Temper Tantrums & Setting The Scene
Something Curated, March 19, 2021 -
Facing Pervasive Trauma with Humor and Hope: Christine Sun Kim at François Ghebaly
Gerry Peña-Martinez, Variable West, February 22, 2021 -
Genesis Belanger’s Scrumptious Last Supper
Will Fenstermaker, Frieze, February 16, 2021 -
Drawings that chart out the levels of deaf rage
Lindsay Preston Zappas, KCRW, January 19, 2021 -
Translating Deaf Culture, Christine Sun Kim Underlines the Difficulty of Interpretation
Caroline Ellen Liou, Hyperallergic, January 19, 2021 -
Ludovic Nkoth: A Dear Statement to the Soul
Charles Moore, Juxtapoz, January 1, 2021 -
Interviews: Em Rooney
Ashton Cooper, Artforum, December 15, 2020 -
‘I Want to Be Able to Maintain My Clear Voice’: Artist Christine Sun Kim on Translating Her 2020 Into Trenchant New Drawings
Kate Brown, Artnet, December 15, 2020 -
Artist Sharif Farrag Considers the Weight of the Vessel
Kiara Cristina Ventura, Cultured Magazine, December 7, 2020 -
Artists at Work: Candice Lin
Silvi Naçi, East of Borneo, December 4, 2020 -
ASL IRL: Christine Sun Kim and Thomas Mader Interviewed
Isabel Parkes, BOMB Magazine, November 27, 2020 -
Review: Em Kettner’s Play the Fool, at Goldfinch
Amanda Dee, Sixty Inches From Center, November 26, 2020 -
Em Kettner creates elaborate casings for her sacred sculptures
S. Nicole Lane, Chicago Reader, November 18, 2020 -
Labor Day: Matt Bollinger Explores the Intimacy of Lost American Dreams
Sasha Bogojev, Juxtapoz, November 10, 2020 -
Hello, the Future Is Certain: Ivy Haldeman @ François Ghebaly, Los Angeles
Juxtapoz, October 6, 2020 -
Genesis Belanger’s Uncanny Ceramics Help Us Cope with the Present
Casey Lesser, Artsy, October 1, 2020 -
Emerging artists to watch: Willa Wasserman
Sonia D'Alto, Conceptual Fine Arts, September 18, 2020 -
Spirit of the place – an interview with Farah Al Qasimi
Diane Smyth, Apollo, September 16, 2020 -
Willa Wasserman’s Art of Skepticism and Sentimentality
Emily Watlington, Art in America, September 15, 2020 -
The Artsy Vanguard 2020: Farah Al Qasimi
Harley Wong, Artsy, September 11, 2020 -
Materia Medica
Christopher Michno, Artillery, September 8, 2020 -
Christine Sun Kim and Thomas Mader
Berlin Art Week, September 4, 2020 -
Review: Sharif Farrag at François Ghebaly
Suzanne Hudson, Artforum, September 1, 2020 -
3 Los Angeles Exhibitions Exploring the Nature of Things
Paul Laster, Art & Object, August 28, 2020 -
Jessie Makinson’s Otherworldly Paintings Are Filled with Enigmatic Tales
Allyssia Alleyne, Artsy, August 24, 2020 -
Essential Arts: The art of women’s rights, the staging of the DNC
Carolina A. Miranda, The Los Angeles Times, August 22, 2020 -
In Conversation: Matt Bollinger on his Hand-Painted Animations
Juxtapoz, July 28, 2020 -
Art Insider: A Group Show at François Ghebaly Looks at the Humans’ Relationships with Nature
Lindsay Preston Zappas, KCRW, July 28, 2020 -
Arts at Home (Wednesday is the New Thursday): July 22-25
Shana Nys Dambrot, LA Weekly, July 22, 2020 -
Post-Catastrophic Romance: On Neïl Beloufa’s www.screen-talk.com
Carlos Kong, Flash Art, July 20, 2020 -
Lose Yourself in Jessie Makinson’s Fantastical, Impish Paintings
Emily Steer, Elephant, July 13, 2020 -
Neïl Beloufa Simulates the Pandemonium of Pandemic
Travis Diehl, Frieze, July 3, 2020 -
A “New” Normal: Farah Al Qasimi’s FUNHOUSE Reviewed
David Everitt Howe, BOMB Magazine, June 29, 2020 -
Farah Al Qasimi: Back and Forth Disco
Nina Wolpow, The Brooklyn Rail, June 9, 2020 -
Jessie Makinson’s Furry Darkness: a carnivalesque party
Skye Sherwin, The Guardian, June 5, 2020 -
The French Artist Who Saw the Pandemic Coming
Jason Farago, The New York Times, June 4, 2020 -
Cindy Ji Hye Kim: Drawing the Unseen
Casey Carsel, Ocula, May 8, 2020 -
Review: Kathleen Ryan
Cole Sweetwood, Artillery, May 6, 2020 -
Fan Fiction: Artist Sharif Farrag Feeds Cartoons to the Kiln
Rahel Aima, Cultured Magazine, May 2, 2020 -
The ‘2 Lizards’ of Instagram Are Coronavirus Art Stars
Jon Caramanica, The New York Times, April 22, 2020 -
Kathleen Ryan Creates Sculptures of Fruit Using Shimmering, Precious Gemstones
Lucy Reese, Galerie Magazine, April 5, 2020 -
Farah Atassi Le Consortium
Mara Hoberman, Artforum, April 1, 2020 -
Art Insider Feb. 18: Decaying fruit, witches, water dancers
Lindsay Preston-Zappas, KCRW, February 18, 2020 -
Critic's Pick: Kathleen Ryan at François Ghebaly Downtown
Jessica Simmons-Reid, Artforum, February 15, 2020 -
Access to Tools: The Glyphs of Maia Ruth Lee
Somnath Bhatt, Walker , February 7, 2020 -
Marius Bercea “Thieves of Time” at François Ghebaly, Los Angeles
Mousse Magazine, January 29, 2020 -
Mike Kuchar’s Broken Gods
Editorial Magazine, January 16, 2020 -
Review: Welcome to Max Hooper Schneider’s disturbing dystopian extravaganza
Leah Ollman, The Los Angeles Times, December 24, 2019 -
Art Insider Nov. 15: Monstrous ceramics, cartoons for climate change, and more
Lindsay Preston Zappas, KCRW, November 19, 2019 -
Review: Cindy Ji Hye Kim
Barry Schwabsky, Artforum, November 1, 2019 -
Thousands of Gemstones and Beads Went Into These Moldy Fruit Sculptures
Sarah Rose Sharp, Hyperallergic, October 21, 2019 -
Cindy Ji Hye Kim Climbs the Tower of Babel
Loreta Lamargese, Cultured Magazine, October 16, 2019 -
The Best Shows in Los Angeles Right Now
Jonathan Griffin, Frieze, October 9, 2019 -
Review: Sayre Gomez paintings of L.A. are a sensational shambles
Christopher Knight, The Los Angeles Times, October 9, 2019 -
Cindy Ji Hye Kim: Verses from the Apocalypse
Amelia Farley, The Brooklyn Rail, October 1, 2019 -
Sayre Gomez: X-Scapes
Patrick J. Reed, The Brooklyn Rail, October 1, 2019 -
Los Angeles Paints Itself
Kate Eringer, Artillery, September 26, 2019 -
Genesis Belanger
Artsy, September 16, 2019 -
The Sculptor Making Massive, Moldy Fruits From Gemstones
Alice Newell-Hanson, The New York Times, September 13, 2019 -
Max Hooper Schneider’s Sculptures May or May Not Include a Dead Mouse
Kate Wolf, Interview Magazine, September 9, 2019 -
Jessie Makinson’s Fantastical Works Imagine a Posthuman Dreamworld
Gaby Cepeda, Art in America, August 21, 2019 -
Farah Al Qasimi
Rahel Aima, CURA, August 3, 2019 -
Subverting Patriarchal Myths: The Willfully Feminist Work of Jessie Makinson
Maria Zemtsova, Art Maze Mag, July 15, 2019 -
Mouthy Pleasures and Purgatorial Soothers
Andrew Berardini, Mousse Magazine, July 1, 2019 -
Review: Dorian Gaudin, ‘Climax Change’
Shane Reiner-Roth, everyverything, June 28, 2019 -
Meriem Bennani and Her Absurdist Island in the Future
Erin Leland, Cultured Magazine, June 27, 2019 -
Farah Atassi’s New Paintings Take Shape at Almine Rech
Kristen Tauer, WWD, June 24, 2019 -
An Artist Reconciles With Her Eye Condition Through Her Exacting Draftsmanship
Tina Shan, Hyperallergic, June 16, 2019 -
Farah Al Qasimi Crosses ‘Unseen Boundaries’ With Photography
Ted Loos, The New York Times, June 11, 2019 -
Review: The hairbrush made of fingers and other scenes from the mind of Genesis Belanger
Leah Ollman, The Los Angeles Times, June 8, 2019 -
Cochineal, Tobacco and Piss: Candice Lin
Robert Leckie, Mousse Magazine, June 6, 2019 -
Candice Lin; Genesis Belanger
Annabel Osberg, Artillery, June 5, 2019 -
Rules of the Game: Reason and Repetition in the Work of Channa Horwitz and Emma Kunz
Harry Thorne, Frieze, May 13, 2019 -
The Whitney Biennial Called. How Will They Answer?
Siddhartha Mitter, The New York Times, May 9, 2019 -
Gallery Peeping: Best of Los Angeles Spring 2019
Vivian Chui, Cultured, April 8, 2019 -
Private View: must-see gallery exhibitions opening this April
Anna Brady and Margaret Carrigan, The Art Newspaper, April 4, 2019 -
Kelly Akashi
Leah Ollman, Art in America, April 1, 2019 -
This Mozambique-Inspired Perfume From Painter Cassi Namoda Is a “Woody Tropical” Work of Art
Zoe Ruffner, Vogue, March 27, 2019 -
Kelly Akashi at François Ghebaly, Los Angeles
ARTnews, February 27, 2019 -
François Ghebaly: Kelly Akashi
Annabel Osberg, Artillery, February 19, 2019 -
Crystal Balls, Red Light Spectacle and a Pop Art Nun: the Best Shows in Los Angeles
Simone Krug, Frieze, February 14, 2019 -
Review: What does sound look like? Artist Christine Sun Kim’s funny, at times enthralling answers
Leah Ollman, The Los Angeles Times, January 18, 2019 -
Wicked West: Close-Up on Neïl Beloufa’s "Occidental"
Savina Petkova, Mubi, January 16, 2019 -
Critics' Picks: Christine Sun Kim
Geoffrey Mak, Artforum, December 15, 2018 -
François Ghebaly & M + B: Aaron Fowler
Shana Nys Dambrot, Artillery, November 28, 2018 -
Neïl Beloufa Reveals the Multi-Dimensional Mechanisms of Power
Viktoria Draganova, Frieze, November 18, 2018 -
The Unmissable List
Elizabeth Khuri Chandler, C Magazine, November 15, 2018 -
Enter the Violent Imagination of Cindy Ji Hye Kim
Louise Benson, Elephant, October 29, 2018 -
Review: Channa Horwitz’s geometric abstractions show that nothing is truly random
Sharon Mizota, The Los Angeles Times, October 16, 2018 -
How Channa Horwitz Pushed Beyond the Precincts of Minimalism
Daniel Gerwin, Hyperallergic, October 8, 2018 -
Ivy Haldeman: The Interesting Type
Alex A. Jones, The Brooklyn Rail, October 3, 2018 -
Review: Patrick Jackson
Lauren Mackler, Artforum, October 1, 2018 -
Yoshua Okón at François Ghebaly, Los Angeles
Jonathan Griffin, ArtReview, July 6, 2018 -
Review: Is this trying too hard, or maybe not hard enough? A Finnish artist asks: ‘What Am I?’
David Pagel, The Los Angeles Times, June 9, 2018 -
Sound Body, Sound Mind: At Frieze, a Jacqueline Kiyomi Gordon Installation Shapes the Way Viewers Move
Alex Greenberger, ARTnews, May 2, 2018 -
Neïl Beloufa according to Cristina Li
Christina Li, Fondation d'Entreprise Ricard, March 1, 2018 -
The Pain of Others at François Ghebaly
Julie Weitz, Contemporary Art Review Los Angeles, February 8, 2018 -
Matt Bollinger
Becky Brown, Art in America, February 2, 2018 -
Small Wonders: Victoria Gitman’s Meticulous Eye for Detail
Pac Pobric, The Village Voice, February 1, 2018 -
Review: Farah Al Qasimi at Helena Anrather
Kaelen Wilson-Goldie, Artforum, February 1, 2018 -
Critic’s Guide: Los Angeles
Jennifer Piejko, Frieze, January 24, 2018 -
Let's say hello to Rembrandt
Edward Goldman, KCRW, December 5, 2017 -
Matt Bollinger’s America
John Yau, Hyperallergic, December 3, 2017 -
Interview with Jacqueline Kiyomi Gordon by Micah Silver
Micah Silver, 356 Mission, November 1, 2017 -
Sayre Gomez “Déjà Vu” at Ghebaly Gallery, Los Angeles
Mousse Magazine, October 10, 2017 -
Review: Farah Atassi paintings: Part Picasso and pure catnip for fans of midcentury design
Sharon Mizota, The Los Angeles Times, August 7, 2017 -
Jacqueline Kiyomi Gordon “Catchy” at Empty Gallery, Hong Kong
Mousse Magazine, July 26, 2017 -
Critics' Picks Los Angeles: Farah Atassi
Andy Campbell, Artforum, July 22, 2017 -
Sascha Braunig
David Ebony, Art in America, May 26, 2017 -
The Artist Who Went From Trekking the Himalayas to Teaching the Girls of the Lower East Side
Christine Whitney, The Cut, May 15, 2017 -
The Object of the City
Eli Diner, Flash Art, May 1, 2017 -
Sascha Braunig
David Geers, Frieze, March 28, 2017 -
Kathleen Ryan
Jennifer S. Li, Art in America, March 14, 2017 -
Kelly Akashi
Evan Moffitt, Frieze, January 10, 2017 -
A studio visit with Sascha Braunig
Rob Kaiser-Schatzlein, Two Coats of Paint, December 29, 2016 -
Review: In L.A. galleries now: A celebration of black women, a cheeky take on living with disability
Sharon Mizota, The Los Angeles Times, December 14, 2016 -
Zoe Barcza: DR AWKWARD
Santi Vernetti, LXAQ, December 1, 2016 -
Neïl Beloufa at Ghebaly Gallery, Los Angeles
ARTnews, July 21, 2016 -
Critics' Picks: Kelly Akashi
Honora Shea, Artforum, July 6, 2016 -
Critics' Picks: Patrick Jackson
Olivian Cha, Artforum, June 11, 2016 -
Neïl Beloufa, Democracy
Andrew Berardini, ArtReview, June 11, 2016 -
Channa Horwitz
at François GhebalyJennifer S. Li, ARTnews, May 16, 2016 -
A Painter on the Entangled Relationship Between Figure and Frame
Samuel Jablon, Hyperallergic, May 14, 2016 -
Review: Marius Bercea at François Ghebaly Gallery
The Los Angeles Times, May 7, 2016 -
Review: Joel Kyack’s kinetic sculptures: The cycles of life in water bottles, buckets and a record player
Sharon Mizota, The Los Angeles Times, April 29, 2016 -
Marius Bercea. (on) relatively calm dispute.
Petocuri, April 13, 2016 -
Stranger Than Paradise
Ioana Chira, Harper's Bazaar Romania, April 8, 2016 -
1000 Words: Max Hooper Schneider
Beau Rutland, Artforum, January 1, 2016 -
Art Review: Meriem Bennani’s ‘Gradual Kingdom’ Focuses on Morocco
Martha Schwendener, The New York Times, December 3, 2015 -
Review: Candice Lin explores the unruliness of the natural order at Francois Ghebaly Gallery
Sharon Mizota, The Los Angeles times, October 16, 2015 -
Critic's Pick: Candice Lin at François Ghebaly
Travis Dhiel, Artforum, September 12, 2015 -
SOGTFO (Sculpture or Get the Fuck Out)
Andrew Berardini, ArtReview, August 26, 2015 -
Finding the Sweet Spot: Jacqueline Kiyomi Gordon’s Sonic Playscapes
Sarah Burke, East Bay Express, July 7, 2015 -
“SOGTFO”
Kate Sutton, ArtForum, June 1, 2015 -
Critic’s Choice: The sculptures of Cammie Staros contain beautiful wit
Leah Ollman, The Los Angeles Times, May 8, 2015 -
SOGTFO at François Ghebaly
Jonathan Griffin, CARLA, April 20, 2015 -
Women’s Work: Considering Feminist Art Through Three Recent Shows
Natalie Hegert, Artcritical, April 2, 2015 -
Women at Work
Hunter Drohojowska-Philp, KCRW, March 26, 2015 -
"An Argument"
Charlie White, February 28, 2015 -
Mike Kuchar
Andrew Berardini, Artforum, January 17, 2015 -
Sayre Gomez’s “I’m Different”
Jonathan Griffin, Art Agenda, November 10, 2014 -
Sayre Gomez at François Ghebaly Gallery
Christopher Knight, The Los Angeles Times, November 10, 2014 -
A Window into the Foreboding World of Sayre Gomez’s Dark Paintings
Makiko Wholey, Artsy, October 10, 2014 -
Critic Picks: Sayre Gomez
Travis Diehl, Artforum, October 10, 2014 -
Gina Osterloh at François Ghebaly Gallery
Shana Nys Dambrot, Art LTD, September 15, 2014 -
Critics' Picks: Gina Osterloh
Annie Buckley, Artforum, August 7, 2014 -
Depression
Jonathan Griffin, Frieze, June 6, 2014 -
Three Levels
Andrew Berardini, Mousse, February 1, 2014 -
Review: Patrick Jackson
Sarah Lehrer-Graiwer, Artforum, February 1, 2014 -
Joel Kyack: Old Sailors Never Die
Jonathan Griffin, ArtReview, January 18, 2014 -
Passages: Channa Horwitz
Chris Kraus, Artforum, September 1, 2013 -
Review: Robert Russell examines potency of a name in the Google age
Sharon Mizota, The Los Angeles Times, July 25, 2013 -
Haiku Reviews: From Alfred Hitchcock To Asian Fairy Tales
Peter Frank, Huffington Post Arts & Culture, July 9, 2013 -
Channa Horwitz
Andrew Berardini, ArtReview, June 28, 2013 -
In Channa Horwitz’s Orange Grid
Carolina A. Miranda, Hyperallergic, June 4, 2013 -
Enlivening the Grid
Cecilia Alemani, Mousse Magazine, April 13, 2013 -
Review: Davide Balula jams the circuits of light, space
Christopher Knight, The Los Angeles Times, February 21, 2013 -
Critics' Picks: Andra Ursuta
Joanna Fiduccia, Artforum, January 4, 2013 -
Review: Andra Ursuta evokes disintegration at Francois Ghebaly
Sharon Mizota, The Los Angeles Times, December 20, 2012 -
Review: Candice Lin’s unsettling take on contemporary society
Sharon Mizota, The Los Angeles Times, October 15, 2012 -
Review: Anna Betbeze’s shaggy works beguile at Francois Ghebaly
Sharon Mizota, The Los Angeles Times, June 14, 2012 -
Artist Profile: Jacqueline Kiyomi Gordon
Ceci Moss, Rhizome, May 30, 2012 -
Exhibition Reviews: The New Verisimilitude
Jonathan Griffin, ArtReview, July 15, 2011 -
Robert Russell at François Ghebaly, Los Angeles
Jody Zellen, Artwrit, May 15, 2011 -
The Art of Twisting and Turning Reality as We Know It
Edward Goldman, KCRW, April 12, 2011 -
Patrick Jackson at Nicole Klagsbrun
Emily Hall, Artforum, December 1, 2010 -
Review: Neïl Beloufa
Catherine Taft, Artforum, January 1, 2010 -
Patrick Jackson: Picks
Sharon Mizota, Artforum, May 21, 2008
